The best Gabriele Lavia’s movies
If you love cinema, you will share this ranking of the best Gabriele Lavia’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Gabriele Lavia.
The Legend of 1900
8/10
The story of a virtuoso piano player who lives his entire life aboard an ocean liner. Born and raised on the ship, 1900 (Tim Roth) learned about the outside world through interactions with passengers, never setting foot on land, even for the love of his life. Years later, the ship may be destroyed, and a former band member fears that 1900 may still be aboard, willing to go down with the ship.
Deep Red
7.5/10
A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
Baarìa
6.9/10
Giuseppe Tornatore traces three generations of a Sicilian family in in the Sicilian town of Bagheria (known as Baarìa in the local Sicilian dialect), from the 1930s to the 1980s, to tell the story of the loves, dreams and delusions of an unusual community.
Inferno
6.5/10
A young man returns from Rome to his sister's satanic New York apartment house.
Sleepless
6.2/10
An elderly and retired police detective and a young amateur sleuth team up to find a serial killer whom has resumed a killing spree in Turin, Italy after a 17-year hiatus.
Remember Me, My Love
6.4/10
The story of a normal Italian family in which come out the dreams of those who have lost their possibilities and of those who want to realize them. Carlo and Giulia are a married couple who have each given up their aspirations in order to live an average life. Their 19-year-old son, Paolo, is having trouble finding an identity, while their 18-year-old daughter, Valentina, has already figured out how to use sex to her advantage. The family goes through a crisis when Carlo begins having an affair, Giulia attempt to seduce the director of a local stage production she is in, and Valentina does what she does best to land an audition for a TV show
Zeder
6.1/10
A young journalist buys a used typewriter and notices some text still legible on the ribbon; he reconstructs the story of a scientist who discovered that some types of terrain have the power to revive the dead.
Beyond the Door
4.7/10
Jessica Barrett, wife and mother of two young children, begins to show signs of demonic possession while pregnant with her third child. As she seeks help from her husband and doctor, a mysterious man approaches her and seems to have some answers.
Scandalous Gilda
4.3/10
A woman catches her husband in bed with a much younger lady. Shocked and distraught, the woman leaves her husband. She decides to embark on a road trip of erotic self discovery. The woman meets a cartoonist during her sensual pilgrimage and gets involved in a torrid sexual affair with him.
Iago
4.2/10
The Suspect
6.5/10
Fascism has forced the leadership of the Italian Communist Party to settle in Paris. In Italy arrests of militants are decimating the organization, so Emilio is sent on a mission in the area of Turin, to put out of harm whistleblowers.
Girolimoni, the Monster of Rome
7.4/10
In Mussolini's Rome a murderer is targeting young girls.
Evil Senses
5/10
A contract killer named Manuel who happens to be in possession of some documents that incriminate some people high up within a secret organisation. Naturally, this organisation doesn't want this sort of thing becoming public knowledge so they seek to kill him. He takes refuge at a brothel ran by Nicole; an ex-lover, but it isn't until he happens across an intriguing prostitute named Victoria that he takes an interest in life...
Amore e libertà - Masaniello
7.5/10
Household Accounts
6.1/10
Period giallo about a young cook who's accused of killing her wealthy husband.
Strehler: Il mago dei prodigi
An eulogy to Giorgio Strehler, the first real director in the italian theatre. He was a master, knowing all aspects of the show, from the set techniques up to narrative influences. The documentary tells the personal life and the artistic career: it starts from that Christmas day in 1997, when the news broadcasts opened with the news of Strehler's death, to summarize the story of the Piccolo Teatro, the first municipal theatre in Italy.
