The best Gabriel Gascon’s drama movies

Dorothy Parker remembers the heyday of the Algonquin Round Table, a circle of friends whose barbed wit, like hers, was fueled by alcohol and flirted with despair.

Through an immigrant cab driver, our world collides with a nervous filmmaker, a lawyer whose new breasts her ex-boyfriend wants to see, a mystery man, a gay man who might or might not have AIDS, and a birthday girl who got stood up. It is a mixture of laughter and sadness, all floating on a sea of philosophy.

THE SERGEANT is the story of the dark inner struggle of Master Sergeant Albert Callan to overcome the overwhelming attraction he feels for one of his charges. In the staid and stifling environment of a post-World War II army post in France, Callan's deeply repressed attraction to other men surfaces when he encounters handsome Private Swanson. Maintaining the rugged "man's man" image of a war hero, Callan barks orders to his underlings. Later, lonely in his solitude, he recalls the frightening experiences of war and the events that led to this crossroads. Filled with self-loathing and unable to act on the natural attraction he feels for Swanson, Callan's affection festers into antagonism. He pushes Swanson constantly with verbal assaults and undeserved punishments.

Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.

In the near future, as humanity prepares to set foot on Mars, Jacob Obus, an elderly musician, takes pride in slowing down time by playing instruments inspired by women's bodies, designed by his friend Arthur. A love triangle develops when Jacob and Arthur both fall in love with Avril, a young photographer. Enter Eugène Spaak, Arthur's father, an inventor and cosmologist who unveils a new theory about man's desire to reach Mars and helps Jacob find the true meaning of life and love.

Two social outcasts in 19th century Eastern Europe, Alexandre and Ulysse, become friends and settle down to live alone on the edge of a marsh that is reputedly haunted by demons, monsters and goblins. These two men have been outcasts all their lives. Alexandre was raised in a nomad family that traveled from town to town, being rejected by the people of his homeland. Due to his physical abnormalities, Ulysse has always been pushed aside ever since his childhood. When a strange murder is committed in a nearby village, the peasants turn their suspicions on Alexandre and Ulysse, because they are different. In the eyes of the villagers, they are demons that must be hunted, burned and killed.

Alex has a deeply troubled mind. He also has a seriously dysfunctional - not to say incestuous - family. Why then, has he returned from his merchant seaman job to the rocky coasts of his home? Perhaps he couldn't cut manage to march in his father's footsteps in that job. His mother doesn't seem to mind, and lets him stay at her bed and breakfast hotel. His sister still seems to have the hots for him, just as she does for his (and her) old boyfriend Jean-Louis, who has just shown up. Even his mother seems to find him sexy. All these people appear eager to get their hands on his body, but he's too wrapped up in what's going on inside his head to notice.

In the early 1940's, Canada is a country at war and Florentine is a young woman, from a very poor family, looking for love. She meets two suitable men, a nice soldier from a good and wealthy family, and an ambitious self-centered engineer. She must decide whether she wants to follow her head or her heart...