The best Füsun Demirel’s drama movies

The scenario (and the story) depends on an original idea, what if our lives change in a second to a totally different one in which we find everything we hate to do. That's not only a bad dream, it is truly a different life and it seems you get used to it. Müjde Ar plays one of her finest characters with some vague silliness.

Kerim lives with his family in a rent house for years. One day his landlord tells him to look for another house or raise the rent money.He finds a house by the help of Sühandan whom he works together and in love.

One day, Sedat, who works as a prison guard in Konya, is given the duty to take one of the prisoners, Musa, to his hometown. Musa does not intend to return until he finds out why his daughter was killed.

The landowner (Agha) of the Haraptar village marries off his old father with the young and beautiful Kiraz. But on the nuptial night, his father dies and everthing starts to go bad for the Agha. Due to the long drought and provocations of Kekec Salman (big brother of Kiraz), the peasants steal the crops and run away to Istanbul. Without the peasants and crops, Agha is also forced to sell the village and move to Istanbul. But he cannot keep up with the big city life and consumes all his money and belongings. Agha's wife and relatives leave him during this downfall.

Ali is 18. His feet are firmly off the ground. The very idea of marriage seems like a game. But the bride's parents are ready and willing. Business ventures will be set up between the families; the arrangement will pay off all round. Ali, meanwhile, is more interested in playing with puppets and dressing up as a rooster for the travelling theatre. His fiancée has only so much patience... So what should his parents do? What was that? Hire a Borrowed Bride? Meaning exactly what? Well just that: borrow a bride, as the title of the film suggests......

10 to 11 is the story of a passionate collector Mithat and the concierge of the building, Ali. For Mithat Istanbul is as vast as his collections and for Ali is nothing more than a few blocks around the building. When the neighbors decide to have the building rebuilt with the fear of earthquake and the wish for a more valuable house, Mithat's most challenging struggle to save his collections begins. The building becomes the common destiny of these two men living alone. Their relationship that begins with the collaboration to save the continuity of the collections changes track with Mithat's handing Istanbul over to Ali and ends when they involuntarily change each other's fate.

In Turkey, when a woman is sent to prison, her small children stay with her. In this film, Inci (say "Injee") is sent to prison for murder in self-defense (which warrants incarceration in Turkey), and while there, develops a special friendship with a little boy who is the son of another inmate.

The story of three children whose parents are arrested during the coup...

In the heart of Istanbul's prison, Zakir controls the letters prisoners receive. His average day is spent between the censorship office, his colleagues and his evening writing class. For a writing assignment, he steals a photo from one of the letters, in which appears Selma, an inmate's wife. More than an inspiration, she becomes an obsession for Zakir. He observes her, makes up stories, and imagines the worst to the extent that he puts himself at great risk.

Zer is the story of a song, whispered to Jan's ear on his grandmother's deathbed. A survivor of Dersim Massacre, Zarife hid her identity, her past in her memory of this song. Raised in NYC, Jan begins a journey through Kurdistan, searching for his grandma's past and his own self.

Asiye is on the verge of entering a swamp. Every decision he makes will reshape the dynamics of his next life. Is there a way of salvation for Asiye?