The best Fred Williamson’s drama movies on Apple iTunes
If you love cinema, you will share this ranking of the best Fred Williamson’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Fred Williamson.
M*A*S*H
7.4/10
The staff of a Korean War field hospital use humor and high jinks to keep their sanity in the face of the horror of war.
Black Caesar
6.4/10
Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his vengeance, he rises to power in Harlem, New York. Angry at the racist society around him, both criminal and straight, he sees the acquisition of power as the solution to his rage.
Original Gangstas
5.7/10
A violent street gang, the Rebels, rule the streets of Gary, Indiana. The Rebels shoot Marvin Bookman, a store-keeper, for giving the police information about a drive-by shooting they committed. Marvin's son, former NFL star John who created the Rebels, returns to Gary to be with his father and, with a little help from his friends, to destroy the Rebels his way.
Deadly Intent
4.3/10
An archaeologist smuggles a valuable ancient jewel into the US. He is soon murdered by people looking for the jewel, but he had hidden it. The killers, believe that his widow knows where the artifact is hidden, go after her.
Tell Me That You Love Me, Junie Moon
6.1/10
Junie Moon is in the hospital after her face has been disfigured by her deranged boyfriend. There she meets two other patients — Arthur, an epileptic, and Warren, who is gay and uses a wheelchair. The unlikely trio of outcasts decides to move in together and manages to enjoy a series of adventures as they endure various forms of prejudice and struggle with their own issues.
A Chance in the World
6.6/10
A Chance in the World is the unbelievable real life story of Steve, a wounded and broken boy destined to become a man of resilience and vision. From the day he is five-years-old and dropped off at his foster home of the next eleven years, Steve is mentally and physically tortured by Betty (his foster mother), Willie (her husband) and his foster siblings. Desperate for a sense of family and belonging, Steve searches for his biological parents, but no one in the system can help him. No one can tell him why, with obvious African-American features, he has the last name of Klakowicz.
