The best Franziska Weisz’s comedy movies

In a suburb of Vienna during some hot summer days: A teacher who is in bondage to a sleazy pimp, a very importunate hitchhiker, a private detective on the run for some car vandals, a couple with a serious marriage problem and an old man, whose wife died long before on the search for some sexual entertainment live their lives while their lifelines cross from time to time.

Alex ist Anfang 30, smart und gut aussehend, und wickelt die Frauen reihenweise um den Finger, braust danach aber genauso schnell wieder in seinem Sportwagen davon. Feste Beziehungen kennt er nicht, Teamplay kommt in seinem Wortschatz nicht vor, und „Frauen verstehen“ tun definitiv andere. Als seine diversen Gespielinnen gemeinsam Rache nehmen, kommt es zu einem erstaunlichen Ergebnis: Nach einem traumatischen Vorfall erwacht Alex in einer Welt, die nur von Frauen bevölkert ist. Schlimmer noch: Er selbst wird ebenfalls als Frau wahrgenommen. Und statt Sex wird lieber gekuschelt, Kinder bekommt man, wenn man sie sich ganz doll wünscht, es wird ganz viel geredet und kaum gestritten, alle nehmen Rücksicht aufeinander und schweben auf einer Wolke der Harmonie. Ausgerechnet jetzt entwickelt er für eine Frau Gefühle. Denn langsam aber sicher schleicht sich Paula in sein Herz. Doch wie nur soll er ihres erobern? Irgendwie muss er ihr zeigen, dass er mehr ist als ihre beste Freundin...

An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.

The chance meeting of two people at the darkest moments of their lives leads to a bright new beginning : Arthur (around 50) and Claire (around 30) pull each other from the abyss – by trying to save the other they see the worth of their own life.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

Katrin can only dream of a happy family. Because the patchwork constellation with several involuntarily connected families puts their nerves to the test. To kitten the fragile relationship with her 14-year-old daughter Saskia, she has invited all family members to their confirmation. But Saskia has recently moved to her father and his new family, while the son of Katrins new partner Philipp has moved in with them and since then devastated Saskia's room and Katrins life. It is impossible to think of a harmonious everyday life, let alone a peaceful family celebration.

Senta and Thomas are dying to fall in love - just not with one another. Still, when two people - a hopeless romantic and a system analyst - meet, an unexpected amour fou ensues.

The eccentric actress Anna finds herself at the rock bottom of her career and has to realize that her life actually passed her by. The theater premier was a disaster on her account, her ex is already dating a new girl and she definitely exceeded the certain age where it is still okay to get dragged out of the mess by daddy. The house of cards she built so carefully seems to be more fragile than expected. Everything in Annas life begs for a new start to get her back on track. But the only thing coming around at the moment is a firefighter.

Philipp and Anna live in the Berlin Babyboom-Kiez Kreuzberg. They also like to go to the playground, but with their little niece Nele. Anna does not want to know anything about Philipp's sudden desire to have a baby. She is on the verge of a professorship and insists on the old agreement: kK - no children! The more intently he makes his baby application to his wife, the more obvious is her rebuff.