The best Franco Nero’s western movies

With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.

A coffin-dragging gunslinger and a half-breed prostitute become embroiled in a bitter feud between a merciless masked clan and a band of Mexican revolutionaries.

Half-breed Keoma returns to his border hometown after service in the Civil War and finds it under the control of Caldwell, an ex-Confederate raider, and his vicious gang of thugs. To make matters worse, Keoma's three half-brothers have joined forces with Caldwell, and make it painfully clear that his return is an unwelcome one. Determined to break Caldwell and his brothers' grip on the town, Keoma partners with his father's former ranch hand to exact violent revenge.

The wolf dog, White Fang, aids a reporter, a fur trapper, a nun, a young Eskimo boy and his father of ridding a gold mining town of a sleazy crime lord in 1896 Yukon, Canada.

While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry's treasures, which Kowalski revels in.

Arms dealer Yolaf Peterson aims to make a sale to guerilla Mongo, but the money is locked in a bank safe, the combination known only to Professor Xantos, a prisoner of the Americans. Yolaf agrees to free Xantos, accompanied by reluctant guerilla Basco, but a former business partner of Yolaf's- John 'The Wooden Hand', has other ideas.

A Texan sheriff and his younger brother travel across the border into Mexico to confront the man who killed their father.

Onion Jack (Franco Nero) has bought a piece of land on which to settle, but the property is still in possession of the orphans of the original owner and is coveted by the local oil baron.

In this unusual spaghetti western departure for exploitation filmmaker Paolo Cavara (La Tarantola dal Ventre Nero), two friends help Sam Houston work for Texas statehood. Johnny Ears (Franco Nero) and his deaf-mute sidekick Erastus "Deaf" Smith (Anthony Quinn) go after a Mexican general (Franco Graziosi) under orders from Germany to agitate the populace. The film looks terrific, thanks to cinematography by Tonino Delli Colli (Once Upon a Time in America), but is often lacking in the story department. Perhaps part of the blame belongs to co-screenwriter Harry Essex, fresh off the dreadful sci-fi flop Octaman (1971). Pamela Tiffin appears as a prostitute, and the film co-stars Tom Felleghy and Renato Romano.

In 1866 New Mexico, Tom Corbett is a prospector who is called back to his hometown in Laramie Town, Texas at the bequest of a old family friend. Tom arrives in the town to see it under the control of a ruthless and greedy gangster named Jason Scott, who's psychotic and murder-crazed son, Junior Scott, runs it with fear with a posse of thugs who kill anyone who protests their business tactics. Tom finds his brother Jeff, a drunkard looked after by their family maid Mercedes. Tom then tries to persuade Jeff to help him take down the sadistic Scotts so the town can rest easy in peace and harmony again.

Former gunfighter Django has become a monk and abandoned his violent former ways. His daughter is kidnapped by rogue Hungarian soldiers using slave labor to run a silver mine. Django casts off his habit and digs up his machine gun to practice a little liberation theology.

A chronicle of the Russian and Mexican revolutions in the early 20th century.

A young boy witnesses his parents' murder. Later, as he grows up, he befriends a bear in the wilderness and the chief of a local Indian tribe, and he stays with the Indians, but makes an enemy of the chief's son. As he enters adulthood he sets out to find the men responsible for his parents' deaths.

A Spanish army officer, Don Jose (Nero), stationed in Seville, meets and begins a relationship with a mysterious gypsy, Carmen (Aumont). After he discovers she has cheated on him with his Lieutenant, he kills the officer and flees the city with Carmen. He recovers from his wounds and is forced to begin the life of a bandit.

The beginnings, development and decline of so-called spaghetti-western genre; with clips, interviews and opinions of producers, actors and directors. A nostalgic look at those movies that are still in the taste of many.

A spaghetti western in which three adventurers team up during the Mexican Revolution. Mary O'Donnell, a radical Irish journalist, wants to foment a peasant revolt in Mexico. She enlists the help of a seedy bandit, Lozoya, by saving him from a death sentence in Utah. They meet a man calling himself Prince Dmitri Vassilovich Orlowsky, who claims to be a Russian prince, not to mention a man of the cloth. Wallach pretends to be a Mexican folk hero. The trio crosses the border, the two men seeking a cache of gold while O'Donnell pursues her revolution.

After the war of secession, the aging Cordeen, who owns thousands of acres in Texas, rules his numerous and quarrelsome sons with an iron hand. He sends them out to deal with the threat of the representatives from the North. However, not all the sons share their father's unlimited hatred for the Northerners and they find it increasingly difficult to obey his despotic commands. To add to the family's unrest, a prodigal son decides to return to the fold, provoking two other sons to down tools and leave. Cordeen, outraged, pursues them and tries to kill them. An absurd family feud ensues, prolonged by the participation of the entire Cordeen family.