The best Fortunio Bonanova’s music movies

Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy. After being appointed to a run-down New York parish, O'Malley's worldly knowledge helps him connect with a gang of boys looking for direction, eventually winning over the aging, conventional Parish priest.

Mother and daughter (Sothern and Powell) compete over same singing role and, unbeknownst to each other, the same man.

An American girl on vacation in Argentina falls for a wealthy racehorse owner.

A screenwriter falls in love with a Mexican woman while searching for a story line south of the border.

A young songwriter leaves his Kentucky home to try to make it in New Orleans. Eventually he winds up in New York, where he sells his songs to a music publisher, but refuses to sell his most treasured composition: "Dixie." The film is based on the life of Daniel Decatur Emmett, who wrote the classic song "Dixie."

Doris Day, in her film debut, plays Georgia Garrett, a singer sent by jealous wife Elvira Kent on an ocean cruise to masquerade as herself while she secretly stays home to catch her husband cheating. Meanwhile equally suspicious husband Michael Kent has sent a private eye on the same cruise to catch his wife cheating. Love and confusion ensues along with plenty of musical numbers.

An entertainer in Rio impersonates a wealthy aristocrat. When the aristocrat's wife asks him to carry the impersonation further, complications ensue.

Brazil is perhaps the best of the handful of US films made by Brazilian singing sensation Tito Guizar. In typical screwball-comedy fashion, the plot is set in motion by authoress Nicky Henderson, who has hit the best-seller charts with her latest tome, Why Marry a Latin? While researching her next book in Rio De Janeiro, she finds out "why" when she meets handsome songwriter Miguel Soares. Upon learning about Nicky's book, Miguel decides to teach her a few lessons in the affairs of the heart. Edward Everett Horton is also on hand, twittering his way through the role of a well-meaning buttinsky. Thanks to the "Good Neighbor" policy of the 1940s, South American musicals were a glut on the market, but Brazil was good enough on its own merits to pay its way at the box office.

Film biography of opera star Grace Moore, released in 1953.

When a matador leaves town to focus on his music, his twin sister takes on his identity in the bullfighting ring.

Karanina "Nina" Novak, is befriended by Nifty, the leader of a four-piece orchestra, and in return, secures an engagement for them at the Little Aregal Cafe, with herself as the vocalist, by pretending she once knew the King or Aregal back in the old country. Steve shows up pretending to be the King of Aregal, and complicates the growing romance between Nina and Nifty. When Steve runs off with Opa, the real King of Aregal (also Steve) appears and complicates things again.

After losing nearly all of an inheritance to taxes, sisters Kay (Betty Grable) and Barbara Latimer (Carole Landis), waitresses at a drive-in restaurant in Texas, scheme to find rich husbands. With the aid of their aunt Susan (Charlotte Greenwood), the sisters take the last of their money and head to a well-known Miami resort where they soon meet two wealthy young men, Phil (Don Ameche) and Jeff (Robert Cummings), who begin a fierce rivalry for Kay, not realizing that Barbara has fallen in love with one of them.

A girl from a show-business family seeks a backer for her boyfriend's musical.