The best Foo Hiu-Mei’s comedy movies
We present our ranking of the best Foo Hiu-Mei’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Foo Hiu-Mei.
iGirl
5/10
Evan, Johnny, and Irwin are best friends since childhood. One day, all three of them are dumped by their girlfriends. While drunk, Evan comes across a website called “Get Your Dream iGirl”. All he needs to do is enter the criteria of his dream girl and upon payment, he will get what he wants.On an impulse, Evan throws in his life savings. He receives a parcel containing parts of a human model, which he assembles into a woman figure. The next day, he finds the mannequin is alive…
My Sassy Hubby
5.6/10
My Sassy Husband follows Yoyo Ma and Thirteen Cheung’s union 10 years later to present day where they are experiencing marital problems. After they realize that their wedding ceremony held in London is not considered official in Hong Kong, they decide to part ways in search of their real love. While Yoyo and Thirteen both start dating new prospects, will they end up back together?
Exodus
6.4/10
A low-ranking cop often relegated to desk duty, middle-aged Tsim Kin Yip (Simon Yam) lives a stable, mundane life with his young yoga instructor wife Ann (Annie Liu). The monotony is broken one day when he interrogates Kwan Ping Man (Nick Cheung), a nervous, profanity-spouting man caught spying in the women's bathroom. Kwan, who seems to have more than a few screws loose, confides to Tsim a shocking secret: a ring of women conspiring to murder men. Everyday, plans are whispered in restrooms and deaths are carefully engineered, so that men die unnoticeably from "accidents" that are anything but. Tsim initially dismisses Kwan's conspiracy theory, but then clues crop up suggesting there is something fishy at work. Both his marriage and life could be at stake as Tsim becomes increasingly obsessed with cracking the case.
My Wife Is a Superstar
4.1/10
Both leads give performances that go beyond their usual range in a satire that’s sometimes diverting but ultimately toothless. Entertainment veteran Shirley Yung, who directs, should know better
