The best Fernanda Montenegro’s drama movies
We present our ranking of the best Fernanda Montenegro’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Fernanda Montenegro.
Love in the Time of Cholera
6.4/10
In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader.
Invisible Life
7.7/10
Rio de Janeiro, Brazil, 1950. In the conservative home of the Gusmão family, Eurídice and Guida are two inseparable sisters who support each other. While Guida can share with her younger sister the details of her romantic adventures, Eurídice finds in her older sister the encouragement she needs to pursue her dream of becoming a professional pianist.
Central Station
8/10
An emotive journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.
Olga
6.5/10
Based upon the true story of Olga Benário, the German-born wife of Brazilian communist leader Luís Carlos Prestes. During the dictatorship of Getúlio Vargas (1930-1945) she was arrested and sent to Nazi Germany, where she was put to death in a concentration camp. After World War II began, Vargas decided to uphold the Allies.
Rio, I Love You
5.2/10
The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.
Four Days in September
7.4/10
Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. Cesare, however, is wounded and captured during a bank hold up. Fernando then decides to kidnap the American ambassador in Brazil and ask for the release of fifteen political prisoners in exchange for his life.
Redeemer
6.9/10
Célio Rocha believes he was assigned by God Himself a difficult mission: to persuade his childhood friend Otávio Sabóia, a corrupt entrepeneur in the construction business, to give away all his possessions to the poor.
The House of Sand
7.3/10
A woman is taken along with her mother in 1910 to a far-away desert by her husband, and after his passing, is forced to spend the next 59 years of her life hopelessly trying to escape it.
Joanna Francesa
6.1/10
Joana is a sophisticated, beautiful woman, so she has a choice of lovers, and destinies. She will let down Pierre, the French consul at São Paulo, and with him the frivolity of tea-parties and comfort. Her wild inner-soul will develop into the wild forest surroundings of a landlord's farmhouse. To the extent she will defend her land like a 19th century owner - of lands and men alike.
Good Luck
6.7/10
After several behavior problems, teenager John is admitted to a psychiatric clinic by his family. There he meets Judith, for who he soon falls in love. The problem is that she does not have long to live and they know it. This shall not prevent the emergence of a great romance in the clinic.
Time and the Wind
6.7/10
Based on Érico Verissimo's literary trilogy, The Time and the Wind follows 150 years of the Terra Cambará family and their opponents, the Amaral family. The struggles between the two families begin in the missions and lasts until the end of the 19th century. The film also features the period of formation of the state of Rio Grande do Sul and the dispute of territory between the Portuguese and Spanish crowns.
Hour of the Star
7.3/10
Macabéa has just moved to the big city after her aunt, who raised her, died. She gets a job as a typist and moves into a boarding house with three other women. In her spare time, she listens to a radio station called Time; on Sundays, she likes to ride the metro. Then she meets Olímpico, a northeasterner like herself, who has dreams of becoming a congressman.
They Don't Wear Black Tie
8.2/10
Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.
Betrayal
7.2/10
This film shows three episodes: "The First Sin" portrays the relationship of a man and married woman; in "Devilish", the desire between a young woman and her brother-in-law is shown; and in the episode "Cachorro!", a man sees his wife with her lover.
The Deceased
7.6/10
A woman who is obsessed with death wants a first-class burial for herself, and even buys a luxury coffin beforehand.
Mercy
6.5/10
The quiet life of the small town Piedade's inhabitants is shaken up by the arrival of a big oil company, which barges in taking over houses and local businesses, throwing everyone out, to better reach and use the area's natural resources.
Hoje é Dia de Maria: O Filme
Maria is a gifted girl, who faces a hard life in the fields. She is happy when her father decides to remarry, thinking that he will rejoice again. However, to the girl's despair, her stepmother is bad and starts to mistreat her. Maria still has to face the devil's tricks. Adaptation of the miniseries shown in 2004.
Em Família
6.2/10
Old couple are being evicted and turn to their five children for help. Since no one can accommodate the two of them, the children decide to separate the couple.
Gilda, Lúcia and The Goat
The special brings the continuation of the plot starring Gilda and Lúcia in the series 'Amor e Sorte'. After a period of forced coexistence due to social isolation, they face a new reality.
O Beijo no Asfalto
7.7/10
When witnessing a hit, Arandir, a newly married banker, tries to succor the victim, but the man, almost dead, has only time to make one last request: a kiss. Arandir kisses the man, but his act is spotted by his father-in-law Aprígio and photographed by Amado Ribeiro, a tabloid reporter.
