The best Felipe García Vélez’s movies
Today we present the best Felipe García Vélez’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Felipe García Vélez’s movies.
Nothing in Return
6.5/10
One summer, Dario flees the hellish environment of his home. Luismi, unconditional friend, a poor devil with pretensions of winning, and Antonia, an old woman who collects abandoned his motorcar furniture, become his new family. Three generations living together in a city too big to be alone.
Golpe maestro
6.1/10
Ay, Carmela!
7.1/10
Paulino and Carmela are husband and wife, troubadours touring the countryside during the Spanish Civil War. They are Republicans, and with their mute assistant, Gustavete, they journey into rebel territory by mistake. They are arrested, fear a firing squad, and receive a reprieve from an Italian Fascist commander who loves the theatre. He arranges a performance for his troops, bargaining with Paulino to stage a burlesque of the republic in exchange for the actors' freedom. Will the fiery and patriotic Carmela consent?
Mutant Action
6.4/10
Waging war against all things glamorous and beautiful, crippled terrorists Acción Mutante plot a series of attacks on society's elite, and attempt the kidnapping of a wealthy socialite at her elaborate wedding reception.
Madregilda
5.9/10
Madrid, Spain. On Monday, December 22, 1947, Charles Vidor's Gilda, starring Rita Hayworth and Glenn Ford, premieres. That same week, as every first Friday of the month, Hauma organizes a peculiar card game in an old tavern.
Tres 60
4.7/10
Guillermo (Raúl Mérida) is a passionate young college surf casually discovering an old photographic film. In the photographs are enigmatic images and a familiar face, leading Guillermo to embark on a perilous investigation with the help of Daniela, a student from Fine Arts, and his brother, a computer expert. None of them is aware that such research can change their lives forever.
The Dog in the Manger
6.8/10
Diana, the Countess of Belflor, is an intelligent, impulsive woman in love with her secretary, Teodoro. He is engaged to Marcela, one of the countess's ladies in waiting. When the countess finds out about the engagement, driven by jealousy, she does everything possible to separate the lovers.
The Things of Love: Part 2
5.1/10
On the way to his exile in Lisbon, Mario meets Silvia, a widow who turns out to be one of his admirers. Silvia has inherited a fortune, leading Mario to resume his career, eventually falling for him. Although Mario has relations with her, he makes it clear that will never fall in love. In Madrid, Juan Pepita and resume their relationship, and because of this the jilted Nena John Colman murders before Pepita, after being arrested. Pepita accepts a contract in Argentina, reunited with Mario. There he meets Tulio, who after starting a relationship with singer eventually ask marriage.
The Den
6.8/10
While Mario is driving under the rain, he finds a woman in the middle of the road, disoriented and covered in blood, who does not remember where she has been or what happened to her. Looking for assistance, Mario stops at a quiet bar called The Den.
Policía
3.7/10
Todo por la pasta
6.2/10
After a robbery at a bingo hall, the girlfriend of one of the robbers escaped with the help of another woman tries to recover the loot from the raid. The problem is that some cops also want to do with the loot, to finance political assassinations.
22 ángeles
5.8/10
The story of the Balmis Expedition, funded by the King of Spain, to bring the smallpox vaccine to Spanish America.
The Frontier Law
6.2/10
Barbara, a journalist in the beginning of the 20th century, searches in the border between Portugal and Galicia a bandit called El Argentino. In her travel she meets two men that say that they belong to his gang.
Pasos Largos (El último bandido andaluz)
Laços de Sangue
5.8/10
Lina and Mariana run from an orphanage in Porto towards the south, in search of Lina's father. It is in a difficult and chauvinistic world that they end up finding Alberto who lives with Júlia on a hill somewhere in the Alentejo. Without informing that Maria is their daughter, they try little by little to know why she abandoned her. When they know the reasons, they both plan revenge ... and execute it.
We Need Each Other
5.9/10
A prisoner on a furlough to attend his mother's funeral finds out he has a little brother, a nine year old kid who follows him on a aimless journey through desolate secondary roads.
Hitting Bottom
6.4/10
Juan Gutiérrez, 44, an electrician, has been unemployed for a long time. He decides to leave his family to go find work in Madrid, believing that in the big city the opportunities will be greater. Once there, he discovers that things are not as he believed. He is an electrician. He doesn't want to clean windshields at stoplights or clean cabarets at dawn. He wants to work as an electrician. Occasionally she meets Andy, a Caribbean mulatto who boasts bulletproof optimism. With his sharp wit, he manages as best he can, trying not to be found by the immigration authorities. Despite the distances, "Gallego" and "Sudaca" become friends.
La baldosa
Amancio, vampiro de pueblo
He's the bartender at a bar with no parishioners. There he spends his nights yearning for good times, now that he can not even attract his only neighbor: a stray dog. He only has his Pomace to attract some clueless soul. However, he prefers something much more select, human blood. His luck changes with the arrival of two visitors but the Fortune has reserved a surprise for him. Their new preys are family. Amancio has to choose between ending his lonely existence or his thirst for blood.
Maximum Penalty
6.1/10
At the bench, the coach and three reserve players, including a sleepy goalkeeper. The game is about to start. Our team needs to win. The coach paces nervously and relays instructions to the players on the field... But the coach's attention to the ongoing game is repeatedly interrupted by family members, from the youngest to the oldest, who come one by one to remember him that a significant family gathering is about to take place and that his presence is needed. The coach is reluctant to leave the field on account of the importance of winning this game. What is this important gathering? Are his priorities proper?
