The best Farimah Farjami’s movies
Today we present the best Farimah Farjami’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Farimah Farjami’s movies.
Mother
8.5/10
The film progresses along two distinct but interwoven series of events. The first series involves young members of a family who have gathered round their old mother and revive their common childhood memories. the second line focuses on the old woman's preparations for her last journey and her joyous cooperation in arranging for the ceremonies that are to be observed after her death.
Nargess
6.6/10
A sharp-edged look at people who live outside the constraints of Islamic law.
The Lead
6.3/10
Tehran, 1948. A young Jewish couple, Danial and his wife Munes, decide to immigrate to the recently founded state of Israel. But their application is rejected on the ground of the documents against Danial's uncle, Yaghub, how is suspected of betrayal. A Zionist agent, named Yezghel, finds out Yaghub's home and stabs him. One of Yaghub's neighbours who witnesses the crime is blamed for murder. Fearing for their lives, Munes and Danial escape to the north of Iran in order to leave the country. The Neighbour's brother, Nuri, a journalist, sets off on their heels to bring them to the court to give testimony on his brother's innocence.
The Tenants
7.7/10
A satirical comedy about the oddball inhabitants of a Tehran apartment building and their landlord.
The Blade and the Silk
5.4/10
In a meeting in Thailand, it is decided that twenty tons of heroin to be smuggled to Iran and to be pushed in schools, universities, and even the frontline. While the shipment is being moved on Iranian roads, a detective is killed in Tehran. His successor tries to find the shipment with the help from an addicted inmate and his fiancée.
Water and Fire
6.1/10
Ali Mashreghi is a writer whose wife has been murdered after the night of his bitter fight with his wife. He is arrested and there is only one woman who can help him in the court of law.
The Last Act
7.4/10
Kamran and Moluk, middle-aged siblings, live penniless in the family's Tehran mansion, selling furniture to pay expenses. Their brother, who owns the house, has died suddenly, and his widow, Forugh, is coming from the provinces to visit. Kamran writes an elaborate script and hires a troupe of five actors to be the household servants. The purpose of the charade, which will seem real to Forugh, is to drive her mad, perhaps to suicide, so that Kamran and Moluk can inherit the house. The play is elaborate, Forugh is fooled and terrified, and the police can't substantiate her wild claims. She appears insane to them. All is headed for the mysterious last act.
The Red Line
5.4/10
During the Islamic revolution a SAVAK member Amani marries a woman her name Laleh. Laleh is a doctor and helps the injures of the revolution. Her brother is too involved in the revolution.
