The best Fabrizio Rongione’s comedy movies
If you love cinema, you will share this ranking of the best Fabrizio Rongione’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Fabrizio Rongione.
Rose Island
7/10
In 1968, engineer Giorgio Rosa established the independent state called "The Isle of Roses" off the coast of Rimini, built on a platform outside the territorial waters, with Esperanto as the official language. The Italian authorities did not take it well because the micronation was seen as an expedient to not pay taxes on the revenues obtained thanks to the arrival of numerous tourists and curious people.
Faut pas lui dire
5/10
Love Under House Arrest
5.8/10
A young insurance salesman takes advantage of the fact that a beautiful young woman he is attracted to is under house arrest, so cannot go anywhere to escape him.
The Front Line
6.3/10
An Italian man looks back from his jail cell on his youthful exploits as a political extremist with understanding, candour and remorse.
The Son of Joseph
6.5/10
A young man who lives with his mother and has never known his father, heads off to look for him. He finds a cynical and Machiavellian man who works as a publisher in Paris. After he attempts to kill him, he finds filial love thanks to his uncle.
Diane Has the Right Shape
6.2/10
Diane doesn't hesitate for a moment when her best friends, Thomas and Jacques, ask her to be their surrogate mother. It is in these hardly ideal circumstances that she becomes infatuated with Fabrizio.
Une chanson pour ma mère
5.1/10
Losers Revolution
5.8/10
Simon, Mehdi and Fred, 3 childhood friends are invited to the funeral of Juan, a former school mate, who has a last wish: he wants the boys to start a "Losers Revolution" and seek revenge on their high school bullies.
Ça rend heureux
6.5/10
The efforts of a Belgian director who has to stick posters of his film everywhere and harass crowds to get people to come and see his film. When it turns out to be a flop, he is jobless and his partner leaves him. An ironic account of rising director Joachim La Fosse’s directing debut.
