The best F. Murray Abraham’s music movies

F. Murray Abraham

F. Murray Abraham

24/10/1939 (84 años)
Fahrid Murray Abraham (born October 24, 1939) is an American actor. He became known during the 1980s after winning the Academy Award for Best Actor for his role as Antonio Salieri in Amadeus. He has appeared in many roles, both leading and supporting, in films such as All the President's Men and Scarface. He is also known for his television and theatre work.
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Amadeus

Amadeus
8.4/10
Wolfgang Amadeus Mozart is a remarkably talented young Viennese composer who unwittingly finds a fierce rival in the disciplined and determined Antonio Salieri. Resenting Mozart for both his hedonistic lifestyle and his undeniable talent, the highly religious Salieri is gradually consumed by his jealousy and becomes obsessed with Mozart's downfall, leading to a devious scheme that has dire consequences for both men.

Inside Llewyn Davis

Inside Llewyn Davis
7.4/10
  • Genre: DramaMusic
  • Release: 13/10/2013
  • Character: Bud Grossman
In Greenwich Village in the early 1960s, gifted but volatile folk musician Llewyn Davis struggles with money, relationships, and his uncertain future following the suicide of his singing partner.

The Ritz

The Ritz
6.9/10
  • Genre: ComedyMusic
  • Release: 12/08/1976
  • Character: Chris
On his deathbed Carmine Vespucci's father tells him to "get Proclo". With "the hit" on, Gaetano tells a cab driver to take him where Carmine can't find him. He arrives at the Ritz, a gay bathhouse.

Il Trovatore

Il Trovatore
8.7/10
  • Genre: Music
  • Release: 15/10/1988
  • Character: Self - Host
Luciano Pavarotti brings his spectacular voice and artistry to one of the most famous of all tenor roles—Manrico, the ardent troubadour, trapped in an impossible situation by forces beyond his control. The sensational Dolora Zajick, only days after her Met debut, gives an incandescent performance as the demented gypsy Azucena, thirsting for revenge against Count Di Luna (Sherrill Milnes). Eva Marton is the passionate Leonora, desired by both Manrico and the Count, and James Levine brilliantly leads the Met’s orchestra and chorus in some of Verdi’s best-known music.

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