The best Everett Sloane’s thriller movies

Everett Sloane

Everett Sloane

01/10/1909- 06/08/1965
We present our ranking of the best Everett Sloane’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Everett Sloane.

Journey into Fear

Journey into Fear
6.5/10
An American ballistics expert in Turkey finds himself targeted by Nazi agents. Safe passage home by ship is arranged for him, but he soon discovers that his pursuers are also on board.

The Lady from Shanghai

The Lady from Shanghai
7.5/10
A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.

The Enforcer

The Enforcer
7.3/10
  • Genre: DramaThriller
  • Release: 24/02/1951
  • Character: Albert Mendoza
After years of investigation, Assistant District Attorney Martin Ferguson has managed to build a solid case against an elusive gangster whose top lieutenant is about to testify.

Jigsaw

Jigsaw
5.6/10
New York Assistant District Attorney Howard Malloy is working hard on investigation about a series of murders related to an extremist group.

The Gun Runners

The Gun Runners
6.3/10
Remake of "To Have and Have Not" based on Hemingway short story. Plot reset to early days of Cuban revolution. A charter boat skipper gets entangled in gunrunning scheme to get money to pay off debts. Sort of a sea-going film noir with bad girl, smarmy villain, and the "innocent" drawn into wrong side of law by circumstances.

Alas, Babylon

Alas, Babylon
8.7/10
The Playhouse 90 teleplay of “Alas, Babylon” unflinchingly portrays the tragic aftermath of a major nuclear conflict with the U.S.S.R, including scenes featuring a child being rendered blind from a violent bomb flash and a character severely disfigured by radiation burns.  Narrated in flashback with solemn resignation by noir veteran Dana Andrews, who announces in the play’s first lines that he is already dead (à la Sunset Boulevard), the controversial drama was both lauded and criticized for its grim, daringly honest exploration of a scenario in which “92 percent of the world’s people were killed.”

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