The best Éva Magyar’s movies

France, June 1944. On the eve of D-Day, some American paratroopers fall behind enemy lines after their aircraft crashes while on a mission to destroy a radio tower in a small village near the beaches of Normandy. After reaching their target, the surviving paratroopers realise that, in addition to fighting the Nazi troops that patrol the village, they also must fight against something else.

Three young women vacationing in Paris find themselves whisked away to Monte Carlo after one of the girls is mistaken for a British heiress.

An old sanatorium is deteriorating in an isolated forest in the mountains. Five contract workers have taken on the task of tracking the huge building for hazardous waste before it's demolished. They realize that the job is more than a search for asbestos and mercury when they encounter the building's frightening past. You can demolish a building, but never remove the past.

Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were arch-enemies, they were closest of friends, working together with other mutants (some familiar, some new), to stop the greatest threat the world has ever known.

Boys On Film comes of age with uplifting and powerful tales recounting the lives of everyday heroes striving for their own identities and fighting for the right for us all to be ourselves. Volume 18: Heroes includes ten complete films: Dean Loxton's "Dániel" starring Csémy Balázs, Hilda Péter, and Henry Garrett; Niels Bourgonje's "Buddy" starring Daniel Cornelissen and Tobias Nierop; Tamara Shogaolu's animated "Half A Life"; Victor Lindgren's "Undress Me" starring Jana Bringlöv Ekspong and Björn Elgerd; Sam Ashby's "The Colour Of His Hair" starring Sean Hart and Josh O'Connor; Hope Dickson Leach's "Silly Girl" starring Ciara Baxendale, Mollie Lambert, and Jason Barker; Søren Green's "An Evening" starring Jacob Ottensten and Ulrik Windfeldt-Schmidt; Alejandro Medina's documentary "AIDS: Doctors And Nurses Tell Their Stories"; Kai Stänicke's "It's Consuming Me" with Volkmar Leif Gilbert; and Mikael Bundsen's "Mother Knows Best" starring Alexander Gustavsson and Hanna Ullerstam.

In 1972 the tranquility of a coastal town in California is broken as hitch-hiking girls begin to go missing and corpses start showing up. Welcome to Murder City.

Dániel, a male escort, attends a lunch at which his close friend Nori introduces her new partner.

The film is set in the year 2000 following not only Helga and Traudi's journeys but the next two generations and how Beth, Helga's daughter and Emily her granddaughter are confronted with the long-term effects of Traudi's leaving. When Helga receives a letter telling her that Traudi is close to death, it is Emily with whom Helga shares the truth. Emily volunteers to accompany her to Vienna to meet the great-grandmother she thought was dead, and experience the unraveling of the darkest of family secrets.

“I’ve no talent for life.” Just married. Bored already. Hedda longs to be free... Hedda and Tesman have just returned from their honeymoon and the relationship is already in trouble. Trapped but determined, Hedda tries to control those around her, only to see her own world unravel.