The best Eva Kotamanidou’s history movies

Eva Kotamanidou

Eva Kotamanidou

If you love cinema, you will share this ranking of the best Eva Kotamanidou’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Eva Kotamanidou.

Ulysses' Gaze

Ulysses' Gaze
7.6/10
"A," a Greek filmmaker living in exile in the United States, returns to his native Ptolemas to attend a special screening of one of his extremely controversial films. But A's real interest lies elsewhere--the mythical reels of the very first film shot by the Manakia brothers, who, at the dawn of the age of cinema, tirelessly criss-crossed the Balkans and, without regard for national and ethnic strife, recorded the region's history and customs. Did these primitive, never-developed images really exist?

The Weeping Meadow

The Weeping Meadow
7.9/10
This is the first film of Theo Angelopoulos' trilogy. The story starts in 1919 with some greek refugees from Odessa arriving somewhere near Thessaloniki. Among these people are two small kids, Alexis and Eleni. Eleni is an orphan and she is also taken care by Alexis' family. The refugees build a small village somewhere near a river and we watch as the kids grow up and fall in love. But difficult times of dictatorship and war are coming...

The Travelling Players

The Travelling Players
7.9/10
This expansive Greek drama follows a troupe of theater actors as they perform around their country during World War II. While the production that they put on is entitled "Golfo the Shepherdess," the thespians end up echoing scenes from classic Greek tales in their own lives, as Elektra (Eva Kotamanidou) plots revenge on her mother (Aliki Georgouli) for the death of her father, and seeks help from her brother, Orestes (Petros Zarkadis), a young anti-fascist rebel.

Alexander the Great

Alexander the Great
7.5/10
  • Genre: DramaHistory
  • Release: 04/08/1980
  • Character: Alexandros' daughter
Based on some historical events, the film gives a romanticized biography of Theodoros Kolokotronis, a Greek historical hero serving as a metaphor for Greece herself.

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