The best Ethel Waters’s movies

Broadway: The Golden Age is the most important, ambitious and comprehensive film ever made about America's most celebrated indigenous art form. Award-winning filmmaker Rick McKay filmed over 100 of the greatest stars ever to work on Broadway or in Hollywood. He soon learned that great films can be restored, fine literature can be kept in print - but historic Broadway performances of the past are the most endangered. They leave only memories that, while more vivid, are more difficult to preserve. In their own words — and not a moment too soon — Broadway: The Golden Age tells the stories of our theatrical legends, how they came to New York, and how they created this legendary century in American theatre. This is the largest cast of legends ever in one film.

With unpaid actors and staff, the stage show Phantom Sweetheart seems doomed. To complicate matters, the box office takings have been robbed and the leading lady refuses to appear. Can the show be saved?

Ossie Davis narrates a history of "race films," films made before 1950 which catered to a primarily black audience.

This short traces the history of sound in the movies, beginning with French scientist Leon Scott's experiments in 1857. Featured are snippets from early sound pictures.

In 1966, CBC Television invited some of North America's greatest blues performers to gather in a studio in Toronto, recording together and individually in sessions that lasted three days. The result was originally televised as part of the CBC "Festival" series, and now the session video tapes have been found, restored and re-edited. The great Muddy Waters and his band perform "You Can't Lose What You Never Had" and "Got My Mojo Workin'," the latter with James Cotton on harmonica. Willie Dixon goes solo on "Bassology" and (helped by a little '90s technology) performs "Crazy for My Baby" with host Colin James. Plus rare appearances by Sonny Terry and Brownie McGhee, Mable Hillery singing "How Long This Train Been Gone," and delta blues piano player Sunnyland Slim, introducing a whole new generation to this inspiring, soulful music.

In this all-black short musical comedy, a woman has a husband so lazy she can stick a pin in him without him waking up... but announcing lunch gets him up pretty fast. She's also saddled with a bevy of his lazy relatives. Four more come by and sing as a quartet. After the wife learns they had been traveling men, she advises them to keep traveling and kicks them out...

A fantasy satire on politics in which a little boy dreams that he becomes President of the U.S. and his 'mammy' is Vice President. The film spotlights two now legendary performers much earlier in their careers: Ethel Waters and Sammy Davis Jr. In his first screen appearance, around the age of seven, pint-sized Davis sings, dances and clowns. Nicknamed 'the beanpole' slim and slinky Waters looks far different from the heavier figure she displayed in Pinky (1949) and Member of the Wedding (1953). Statuesque in a long glamorous white gown, she sings her big hit "Am I Blue." Davis, in turn sings "I'll Be Glad When You're Dead You Rascal You." (Separate Cinema)

Wild Women Don't Have the Blues shows how the blues were born out of the economic and social transformation of African American life early in this century. It recaptures the lives and times of Ma Rainey, Bessie Smith, Ida Cox, Alberta Hunter, Ethel Waters and the other legendary women who made the blues a vital part of American culture. The film brings together for the first time dozens of rare, classic renditions of the early blues.