The best Erol Günaydın’s movies

Based on a true event, Pardon tells the tragicomic story of three friends who end up in prison when they are mistaken as members of a terrorist organization. Ibrahim's fear of uniforms makes him runaway whenever he sees one. Because of this, police mistakes him with a terrorist and takes him and his friend Muzo into custody. Fooled by the police during the interrogation they name another friend, Aydin, in hope of saving themselves. As they all end up in prison, they remember the families and lovers they left behind.

Wacky, unrestrained, and with its own mystifying internal logic that cannot be entirely chalked up to the language barrier, this low-budget Turkish exploitation film from the 1973 is very weird, and both provide a very good time. THE DEATHLESS DEVIL introduces us to a young man (Kunt Tulgar) who discovers that he was adopted, and that his father was really a superhero named Copperhead. Like anyone who finds out such blood runs in his veins, he dons the Copperhead mask and goes into action. First on his list is the nefarious, mustached Dr. Satan, who has plans to steal technology that will let him control the world's robots and electronics. This technology belongs to a kindly professor and his pretty daughter, whose safety is now in Copperhead's hands. As he fights to bring the villain down, he finds time to enjoy the numerous Turkish beauties who disrobe for him.

The Wedding, which is the second part of Akad’s trilogy, depicts the struggles of a migrant Anatolian family to adapt to and survive in the very different conditions of urban Istanbul, is one of the best presentations of internal migration in Turkish cinema.

Hasan recently joins a factory where Hacer works and brings hope to her life. Their story unfolds against a backdrop of 70's class struggle.

Remake of a well-known Turkish musical comedy loved by generations, the film is about the adventures of flirtatious Hurmuz in late 1800's Istanbul. Hurmuz who lives in Taskasap, Istanbul has six husbands in a plot to solve her economic problems. She arranges to meet each of her husbands one day of the week. However, suddenly, she falls in love with the town's doctor whom she meets at her husband's barber shop. The doctor falls in love with her too... But, one night all six husbands come home at the same time, and Hurmuz and Safinaz - Hurmuz's "go-between/accomplice/friend" - find themselves in a series of very awkward yet funny situations.