The best Ernö Verebes’s movies
Today we present the best Ernö Verebes’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Ernö Verebes’s movies.
Above Suspicion
6.5/10
Two newlyweds spy on the Nazis for the British Secret Service during their honeymoon in Europe.
To Be or Not to Be
8.1/10
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
Balalaika
6.2/10
A Russian prince disguised as a worker and a cafe singer secretly involved in revolutionary activities fall in love.
Bitter Sweet
5.8/10
In order to avoid an arranged marriage with a man she doesn't love, Sarah Millick runs off to Vienna with her music teacher, Carl Linden, whom she does love. They are married. In Vienna, they struggle to make a living by making music. Carl writes an operetta and tries to get it produced. They are helped along by Viennese Baron, but his intentions are not honorable. He kills Carl in a sword fight. A big producer does put on the operetta, with Sari in the lead -- but without her husband, it is a bittersweet victory.
Where Danger Lives
6.7/10
A young doctor falls in love with a disturbed young woman and apparently becomes involved in the death of her husband. They head for Mexico trying to outrun the law.
Appointment with Danger
6.5/10
Al Goddard, a detective who works for the United States Postal Inspection Service, is assigned to arrest two criminals who've allegedly murdered a U.S. postal detective.
Underground
7.2/10
A World War II Hollywood propaganda film detailing the dark underside of Nazism and the Third Reich set between two brothers, Kurt and Erik Franken, whom are SS officers in the Nazi party. Kurt learns and exposes the evils of the system to Erik and tries to convince him of the immoral stance that marches under the symbol of the swastika.
People on Sunday
7.3/10
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
The Climax
5.4/10
Dr. Hohner, theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer reminds Hohner of the late diva and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever.
Dance, Girl, Dance
6.8/10
Judy O'Brien is an aspiring ballerina in a dance troupe. Also in the company is Bubbles, a brash mantrap who leaves the struggling troupe for a career in burlesque. When the company disbands, Bubbles gives Judy a thankless job as her stooge. The two eventually clash when both fall for the same man.
Copper Canyon
6.1/10
A group of copper miners, Southern veterans, are terrorized by local rebel-haters, led by deputy Lane Travis. The miners ask stage sharpshooter Johnny Carter to help them, under the impression that he is the legendary Colonel Desmond. It seems they're wrong; but Johnny's show comes to Coppertown and Johnny romances lovely gambler Lisa Roselle, whom the miners believe is at the center of their troubles.
Too Young to Kiss
6.1/10
Eric Wainwright (Van Johnson), a busy impresario, is besieged by hordes of wannabe concert stars, eager for their big break. One of them is Cynthia Potter (June Allyson), a talented pianist... but she can't get in to see him. When she learns that Wainwright is auditioning young musicians for a children's concert tour, Cynthia dons braces and bobby sox and passes herself off as a child prodigy.
Alias Nick Beal
7.1/10
After straight-arrow district attorney Joseph Foster says in frustration that he would sell his soul to bring down a local mob boss, a smooth-talking stranger named Nick Beal shows up with enough evidence to seal a conviction. When that success leads Foster to run for governor, Beal's unearthly hold on him turns the previously honest man corrupt, much to the displeasure of his wife and his steadfast minister.
The Juggler
6.5/10
A Holocaust survivor moves to Israel and experiences difficulty adjusting to life.
Hotel Imperial
7/10
It is the fate of a small frontier town, adjoining the no-man's-land where the Russians and Austrians are fighting out one of the final campaigns of World War I, to be occupied one day by the Russians, the next by the Austrians, and the inhabitants soon acquire a complacent view of the changing allegiances. To the town comes Ann Warschaska, intent on avenging the suicide of her sister, who has killed herself after being betrayed by an Austrian officer. She knows no more about his identity than the number of his room at the "Hotel Imperial".
The Great Sinner
6.6/10
A young man succumbs to gambling fever.
Tangier
6.2/10
Maria Montez plays a Spanish dancer named Rita, who is determined to bring Nazi collaborator Colonel Jose Artiego (Preston Foster) to justice. Artiego is at presently working incognito, as military governor of the North African city of Tangier. Maria finds an unexpected ally in the form of Artiego's discarded mistress Dolores (Louise Allbritton). Dominating the film's hotel-lobby set is an old-fashioned "open" elevator, which will obviously figure prominently in the climax. A camp classic, Tangier is distinguished by supporting actor Sabu's offkey renditions of such American standards as "Polly Wolly Doodle" and "She'll be Comin' Round the Mountain"!
Kleine Mutti
6.9/10
Gräfin Mariza
7.4/10
My Friend Irma
6.4/10
Prototype dumb blonde Irma and her slacker, wheeler-dealer boyfriend Al interfere in the love life of Irma's level-headed room mate Jane.
