The best Erika Blanc’s drama movies
Today we present the best Erika Blanc’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Erika Blanc’s movies.
Big Guns
6.7/10
A mob hitman wants to retire, but his bosses don't think that's a good idea. Complications - and many bloody shootouts - ensue.
His Secret Life
7.3/10
When Antonia's husband Massimo is killed in a car accident, she accidentally discovers that he has been having a same-sex affair with a produce wholesaler named Michele.
A Man for Emmanuelle
5.2/10
Hell in Normandy
4.8/10
The movie is set during World War II in the days just prior to the D-Day invasion. A special parachute unit is sent to destroy a German flame thrower installation on Omaha Beach.
Il premio
5.7/10
Houseguests
5.7/10
A sudden tragedy hits a wealthy middle-class family from North-East Italy. Tensions, hidden secrets and small hypocrisies emerge.
Sacred Heart
6.3/10
Irene, a workaholic, is forced to re-evaluate her priorities after the suicide of her two best friends.
Inmate
5.9/10
The Big Heart of Girls
6.1/10
Love and Death in the Garden of the Gods
6.1/10
An old professor rents a mysterious old villa, and finds a tape recorded by a previous occupant, detailing her debauched lifestyle and the events leading to her murder.
Eye of the Cat
5.8/10
In this intellectual drama, Ras (Eli Wallach) is a ruler or dictator who, somewhat like the Biblical King David, covets another man's wife as his own. Unlike David, however, Ras wants to humiliate Marcello (Nino Manfredi), a dedicated musician whose life he has already ruined. He forces Marcello to seek an annulment to his marriage through the Vatican.
The Mistress is Served
4.8/10
A bankrupt Italian count commit suicide and one of his creditors takes over his family villa but he allows the widow, the mother, and the three adult sisters to stay on. The creditor is a wealthy businessman, but also basically an uncouth peasant (who fancies himself an opera singer). Still, the dimwitted, sex-crazed sisters try to seduce both him and his shy, virginal son who accompanies him.
Beautiful, Rich, Slight Physical Defect, Seeks Soulmate
4.3/10
The Cruelest Day
6.3/10
Ilaria Alpi, a young, Italian war-corespondent, was on a dangerous mission in Somalia. While she covered the civil war, she also discovered a big and secret international enviromentscandale. Together with her cameraman she was killed in the streets of Mogadishus March, 1994. The film is based on a true story.
Adored
5.9/10
South of France: Riki Kandinski and his elder brother Fredrico, come back to their family castle for their father's funeral. Fredrico knows nothing about his younger brother, but he notices that he is making big money and living in luxury all for a few days work a week. By pure chance, Fredrico gets his hands on a gay porn magazine and sees his brother in it.
First Happiness
L'amantide
4.8/10
Santoro family lives in an elegant country villa the whose ancestor is the old Theodora. One day her son has an accident and is paralyzed; Eleanor, his wife throws herself into the arms of a lover, but the mother-in-law does everything possible to replace it with another of her choice.
Summit
6/10
In the late 60s of the twentieth century, a wave of revolutionary sentiments spread across Europe. A newspaper correspondent tries to reflect what is happening in his notes, visiting summits in various countries, including the “iron curtain”.
Nobody's Children
I figli di nessuno (internationally released as Nobody's Children) is an Italian drama film directed by Bruno Gaburro and released in 1974. The film, a remake of the remake of the 1951 Raffaello Matarazzo movie of the same name, is part of a subgenre of Italian melodramatic films known as "lacrima movies" (or "tearjerker movies").
The Last Moons
Having discovered that his son will send him to a nursing home, an old professor (Marcello Mastroianni) converses with the memory of his late wife. She encourages him to tell his son that he is sad and fearful, and does not want to move. Recording of Marcello Mastroianni’s last stage project.
