The best Eric Idle’s drama movies

Eric Idle

Eric Idle

29/03/1943 (81 años)
Today we present the best Eric Idle’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Eric Idle’s movies.

Quest for Camelot

Quest for Camelot
6.2/10
During the times of King Arthur, Kayley is a brave girl who dreams of following her late father as a Knight of the Round Table. The evil Ruber wants to invade Camelot and take the throne of King Arthur, and Kayley has to stop him.

The Wind in the Willows

The Wind in the Willows
6.3/10
Jailed for his reckless driving, rambunctious Mr. Toad has to escape from prison when his beloved Toad Hall comes under threat from the wily weasels, who plan to build a dog food factory on the very meadow sold to them by Toad himself. This fantastic roller-coaster ride of hilarious adventures was both written and directed by Terry Jones, who also plays the central role of Mr. Toad. Alongside three former Pythons are a gallery of well-known faces all bringing wit and wonder to a feast of colourful characters. An absolutely charming film to delight children and adults alike, The Wind in the Willows is a perfect updating of Kenneth Grahame’s well-loved children’s classic.

How to Get Ahead in Advertising

How to Get Ahead in Advertising
6.8/10
  • Genre: ComedyDramaFantasy
  • Release: 05/05/1989
  • Character: Male Love Bird (voice) (uncredited)
Pressure from his boss and a skin-cream client produces a talking boil on a British adman's neck.

The Mikado

The Mikado
7.8/10
Jonathan Miller set his well-known production of The Mikado, staged for the English National Opera, in a British seaside resort of the 1920s. The result, complete with a chorus of gentlemen of Japan as cartoon-like British peers, emphatically underscores the Englishness of the satire. The occasional non sequiturs, like a bunch of gentry dressed for Ascot and singing in Japanese, are loonily fun, and no more absurd than the fantasyland Japan that Gilbert and Sullivan invented. The time frame, though, seems little more than an excuse for a smart black-and-white production design.

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