The best Éric Bernier’s comedy movies
If you love cinema, you will share this ranking of the best Éric Bernier’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Éric Bernier.
Niagara
6.5/10
A comedy drama about the fall, mourning and rebuilding of oneself around three brothers in their fifties who will have to reconnect after the death of their father who died prematurely from an unfortunate Ice Bucket Challenge.
Paul à Québec
7/10
Paul à Québec is quite simply about life, at its happiest and at its most challenging. Paul and his in-laws offer us a window onto the everyday life of the Beaulieu family, but we also witness the decline of his father-in-law, Roland. Paul à Québec is a hymn to life that reminds us, among other things, of the beauty of those small moments when, in spite of the farewells, life shows us how important it is to savour every instant.
My Intelligent Comedy
5.9/10
Damien Nadeau-Daneau, a young filmaker, is unable to finish a movie he started with french actor Denis Lavant. Indebted, he’s working at a post-production company, far from his artistic ideals. On the eve of his 33rd birthday, he is self-centered, unsatisfied, and lost in his own life. With no drama of his own, he is confronted with that of others who he meets over the course of his life. He will discover that reality is way more interesting than fiction.
Nô
6.9/10
Robert Lepage directed this Canadian comedy, filmed in black and white and color and adapted from Lepage's play The Seven Branches of the River Ota. In October 1970, Montreal actress Sophie (Anne-Marie Cadieux) appears in a Feydeau farce at the Osaka World's Fair. Back in Montreal, her boyfriend Michel (Alexis Martin) watches the October Crisis on TV and sees Canadian Prime Minister Trudeau declare the War Measures Act. The Canadian Army patrols Montreal streets. Sophie learns she's pregnant and phones Michel. However, Michel is immersed in politics, while Sophie rejects the amorous advances of her co-star (Eric Bernier), becomes friendly with a blind translator, and passes an evening with frivolous Canadian embassy official Walter (Richard Frechette) and his wife Patricia (Marie Gignac). Meanwhile, in Montreal, Michael plots terrorist activities. Commenting on East-West cultural distinctions, the film intercuts between Quebec (in black and white) and Japan (in color).
