The best Enriqueta Carballeira’s movies
Today we present the best Enriqueta Carballeira’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Enriqueta Carballeira’s movies.
A Remarkable Tale
5.4/10
The residents of an isolated town look to revive their home's identity when a group of foreigners unexpectedly arrive, bringing culture shock with them.
The Weakness of the Bolshevik
6.9/10
After getting into a minor traffic accident, Pablo attempts to make light of the situation by asking the driver of the other car, Sonsoles, out on a date. When she refuses and instead files an injury report, Pablo snaps and begins stalking her. He soon discovers that Sonsoles has a beautiful teenage sister, Maria, with whom Pablo is immediately infatuated -- a lust that soon turns dark. Can Pablo control his obsession, or will it consume him?
Erotic Stories
4.1/10
A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.
Half of Heaven
6.7/10
After the civil war, Rosa, a beautiful and hard worker woman falls in love with a sharpener who turns out to be a con man. When she becomes a widow, she emigrates to Madrid with her daughter beginning to work as a nurse in the home of Don Pedro, an influential food manager.
Franky Banderas
3.9/10
How to Be a Woman and Not Die in the Attempt
5.9/10
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age. She can be feisty and edgy, which sometimes gets in the way of what would make her happy. And she regularly threatens to leave Antonio. Will she, and on what terms? What will he do?
Carne apaleada
6.2/10
Berta (Tota Alba) has entered, once again, in prison accused of fraud. From the first moment she steps in the jail, she becomes the toy of all the veteran inmates. The number of conflicts in which she is immersed causes her to be transferred several times from penitentiary. In all of them will live some experience that will change her life; she will know love, hate, despair, etc.
Pierna creciente, falda menguante
The House of Bernarda Alba
6.8/10
After the death of her husband Bernarda Alba puts her daughters under a rigurous mourning which does not even allow them to leave the house.
Viva la clase media
6.3/10
Drama based on the true life of a group of middle class and members of the Communist Party of Spain, who were involved in clandestine political activities during the sixties.
The Good Love
7.1/10
A couple of young university students decide to spend the day in Toledo, in order to forget a little of the routine in which they are. At nine o'clock in the morning, José Luis waits at the Atocha station for his girlfriend, Mari Carmen. The couple has deceived their families, who have told that they will eat in the Faculty. The journey is eternal and the stay in the city, rather than surprise them, as they expected, immerses them, even more, in the monotony in which they live. Without friends, without relatives and without university partners, the couple will spend twelve hours in Toledo, half a day of tenderness in the rain and the December sun that will help them to know themselves better.
Tocata y fuga de Lolita
5.5/10
Carlos, a widower in his forties, lives with his daughter Lolita and his sister Merche. He is a candidate to Spanish Court's Proctor, so frequently travels outside Madrid. During one of those trips, he is forced to return at home precipitously, because his sister informed him that Lolita has left the house to live with some friends.
Place Your Bets, Ladies
5.3/10
A famous American secret service agent tries to rescue a German 17-year-old prodigy scientist who has been captured by the Russians.
Seven Days in January
6.4/10
After the death of Franco, the nostalgic fascist regime attempts to preserve the 1936's order.
Dear Nanny
6.2/10
Elvira, daughter of a disgraced military, who entered a convent at a young age leaves him and returns home to settle in Madrid with his beloved nanny, seeking help to overcome their crisis. However, the country has changed so much in his years of confinement that has little or nothing to do with his childhood memories ...
Vamos por la parejita
3.7/10
Antonio Garisa is Juan Fernández Arriaga, a typicall spanish man fifty years ago. He's married and has five girls, but he is unhappy because all he wanted was a boy (in spanish argot, "ir por la parejita" means trying to have a couple of children, girl and boy). He only has women and they have only girls. During the film he prays, he tries to have a boy to give him his surname "Fernández". Garisa is one of the best actors of Spanish Comedy, maybe too understimate because the kind of cinema made in Spain during Franco's government.
Eroe vagabondo
Italian melodrama
Oscuros sueños de agosto
5.3/10
Isabel returns to Spain, after several years of absence, to be cured of a neurosis. His daughter Ana, whom he has not seen in all this time, decides to spend the holidays with her, taking advantage of the fact that her boyfriend has gone to study in Germany. During her stay in the sanatorium, Ana meets Mario, an attractive young man somewhat unbalanced, who tries to seduce her. Although at first she does not show any interest, little by little she becomes attracted to him.
Tiempo de amor
7/10
Three stories in which love plays a decisive role intersect. The first of them is led by a couple who decides to break with the chastity they have been keeping until then. In the second Mary discovers that the man with whom he wants to lose his virginity is a ruffian and in the third, and last, a marriage tries to maintain happiness despite the miseries of his daily life. Second film by director and screenwriter Julio Diamante , composed of three autonomous episodes, minimally chained, called " The sunset ", " The night " and " The morning ". The three chapters are very influenced by the social realism that invaded the Spanish literature of the time and by the badly assimilated cinema of Michelangelo Antonioni. This means that, for example.
Confidencias de un marido
