The best Enrica Pintore’s movies

Pontedera, 1945. Enrico Piaggio's factory is in rubble. Piaggio feels the enormous responsibility that rests on his shoulders: the life of many families depends on his ability to create a new job. A project is beginning to form in his mind, a dream: to create a means of transport that is small, agile and economical, but capable of reviving mobility and boosting recovery. The road to affirmation, for Piaggio and its creature, is fraught with obstacles. An avid financier, Rocchi Battaglia, uses every means to take possession of the factory. Piaggio understands that his scooter, the Vespa, can and must become "the icon of rebirth" and so, when he learns that the American director William Wyler will shoot the film Roman Holiday (1953) in Italy, he sends Suso, a young and talented employee of the public office, to make contact with him to convince him to make the Vespa the "carriage of Cinderella" on which to make the two young and in love protagonists travel.

Womanizer father teaches clumsy son the decalogue of seduction: ten foolproof rules to make any woman fall in love. But the results will be not what expected.

In 1919, at the end of the Great War, Don Giovanni Minzoni returns to his parish in Argenta, in the province of Ferrara, wants to reorganize the social and cultural life of the community and tries to bring the rural children together into the old recreation center. The socialists, led by Natale Gaiba, the city councilor, openly show their disdain for Don Minzoni and his Church. After some time, anyhow, the relations with the socialists seem to begin, starting a relationship based on understanding and collaboration. At the same time another political force, modern and unexpected, makes its entrance into history and into the small village of Argenta. Fascism is taking hold in the cities and in the countryside throughout Italy, and even in Argenta the first riots and attacks begin…