The best Emmanuelle Devos’s romance movies

A talented Las Vegas chef falls in love with an aspiring fashion designer but turns violently jealous when he realizes that she's hiding dark secrets.

An American writer living in exile in London, Philip listens to women. His English mistress, who visits him regularly in the studio that serves as their refuge. A student he loved in another life. A former lover confined to a hospital in New York.

A Jewish girl in 19th century London dreams of becoming a stage actress.

She is almost deaf and she lip-reads. He is an ex-convict. She wants to help him. He thinks no one can help except himself.

Marguerite loses her wallet, and it's found by Georges, a seemingly happy head of family. As he looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession.

Nora Cotterelle, a woman in her 30s is caring for her ill father, Louis Jenssens. While Nora tries to present a facade that all is well with her life, she is twice divorced and has a son, Elias, whose father is dead. Nora's present relationship is not going well, and she is soon to marry a businessman, while Elias is becoming increasingly withdrawn. A parallel storyline follows her former lover and second husband, Ismaël Vuillard, a musician, with whom she had lived for seven years. He is given to strange behaviour, and as a result he has been committed to a mental hospital, from which he is planning to escape. Nora learns that her father's digestive problems are actually cancer, and facing her father's death, Nora desperately seeks out Ismaël to ask that he reconnect with Elias, but he has mixed feelings about adopting her son. Moreover, he has met Arielle, another patient.

Paul Dedalus is at a crossroads in his life. He has to make several decisions; should he complete his doctorate, does he want to become a full professor, does he really love his long-standing girlfriend, or should he re-start with one of his other lovers?

As she does every morning, Lucie takes advantage of her journey to work to lose herself for a while in the pages of a good book. And as she does every morning, she joins her colleagues at the office with a smile. It's a working day just like any other. Then suddenly all activity in the office stops. All attention is turned towards the window of the opposite building opposite and abanner reading: Man Alone. Is it a hoax? A cry for help? Everyone has his own interpretation, and will try, by any means possible, to discover what lies behind this mysterious message.

In the short break between performances in Calais, stage actress Alix makes a quick escape to Paris. On the train she meets a mysterious English stranger and, for the most fleeting of afternoons, imagines what the future could hold down a different road.

Where I've never been to live, Francesca's emotional conflicts, 50, is the only daughter of a famous Turin architect, to whom she visits only on rare occasions. For many years, Francesca lives in Paris with her teenage daughter and her husband Benoît, a financier on her sixty, apparently reserved but paternal and protective about her. Due to a domestic accident that forces the elderly father to bed, the woman flees to Turin to take her parents in the design of a villa on a lake for a young couple. At work he meets architect Massimo, his peer-minded career and engaged in an open relationship with independent Sandra. After a tough first approach, Massimo and Francesca create a strong professional tune that leads to a deep and passionate feeling. For the first time in life, both will have to really confront themselves and their most authentic destinies ...

Bertrand (Vincent Lindon) dutifully visits his terminally ill wife every day, braving the long train and bus ride to and from the hospital. Lorraine (Emmanuelle Devos) not so willingly visits her boyfriend who was diagnosed with colon cancer. They bump into each other during one of their visits and begin to meet for coffee. Coffee turns into Lorraine offering to drive Bertrand to the train station and the two turn to each other in their time of grief and confusion.

People and life can be cruel, and in their face, Fannette is cool: toward an old acquaintance, to her daughter, to colleagues. Beneath the surface, she roils with passion for a lost love, Philippe. She watches "An Affair to Remember" again and again, and when she receives a letter from Philippe asking her to meet him atop the Empire State Building, she swoons. She's writing a book on an aged painter, so she organizes a trip to New York ostensibly to secure photographs of some of his pieces. The publisher assigns her a photographer, Matt, on the surface spontaneous and flip, but also aggressive about his attraction to her. Will she be with the one she loves? Will she smile? Written by