The best Emma Cohen’s movies
Today we present the best Emma Cohen’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Emma Cohen’s movies.
The Legend of Frenchie King
5.2/10
Outlaw sisters in the old West inherit a ranch and try to settle down and develop relationships with neighboring family of lots of brothers.
Count Dracula
5.6/10
Jess Franco's version of the Bram Stoker classic has Count Dracula as an old man who grows younger whenever he dines on the blood of young maidens.
Cry, Onion!
5.4/10
Onion Jack (Franco Nero) has bought a piece of land on which to settle, but the property is still in possession of the orphans of the original owner and is coveted by the local oil baron.
Erotic Stories
4.1/10
A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.
Cut-Throats Nine
6.7/10
A wagon load of convicts on their way to prison is being escorted through the mountains by a cavalry troop. They are attacked by a bandit gang, and only a sergeant, his beautiful young daughter and an assortment of seven sadistic, murderous prisoners survive, and they are left without horses or a wagon. The sergeant must find a way to get his prisoners to their destination while protecting his daughter, watching out for the still pursuing bandits and trying to determine which one of the prisoners was the man who raped and murdered his wife.
Cuadecuc, Vampir
6.5/10
Initially a documentary about the making of Jess Franco’s “Count Dracula” (a 1970 vampire movie starring Christopher Lee), "Cuadecuc, Vampir" presents "an intervention": an atmospheric, silent, black and white film-essay, serving as an alternative version of the original movie, showing grainy footage of the performers–both in and out of their characters–wandering through the Gothic sets and the natural locations; a ghostly narration between fiction and reality.
The Grandfather
7.3/10
After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.
The Obscene Mirror
5.6/10
A nightclub singer is haunted by the ghost of her late father. The dead man summons her through a mirror, forcing her to commit a series of violent crimes.
The Apolitical Man
5.2/10
Enrique Tolosa is a boss administrator of a small company which employs 50 workers. There never has gotten into politics, has made himself stood professionally and created a family and no one has asked opinion on how would be the destiny of their country. The story begins whenheI first asked to give their vote at the polls for the election of political parties. With the decision to vote is faced with doubt and decides to investigate on their own to know which political trends that are managed as possible, is the one he goes to his temperament.
Mambrú se fue a la guerra
6.4/10
The news of the death of Franco has a special resonance in the family of Florentina. Fiorentina communicates to the rest of the family a story far more important than the general's death: her husband Emiliano (Fernando Fernan-Gomez), who had been left for dead in the civil war, is alive. During the Franco dictatorship has remained hidden beneath the pylon is in the courtyard of the house.
Tuset Street
4.9/10
Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.
Voyage to Nowhere
7.5/10
The Iniesta-Galván family is a theatre company that goes from town to town offering its performances. Over the years, its members will have to adapt to changes and make decisions, like that of whether or not to continue performing. One day, unexpectedly, a son that he has fathered on his travels presents himself to Carlos Galván.
Two Males for Alexa
5.9/10
Curd Jurgens as the betrayed husband is incredibly expressive and believable; Rosabla Neri, as the philandering Alexa, delivers her usual thoughtful performance and, in doing so, makes her potentially cardboard cut-out character multi-dimensional, and Juan Luis Galiardo, as Alexa'a heartthrob Pierre, also cares enough about his craft that he avoids the trappings of a potentially stereotypical character and, like Neri, makes him real and full of depth
Horror Rises from the Tomb
5.6/10
In Medieval France a warlock is be-headed and his wife tortured and executed. Hundreds of years later an isolated group of people discover his head buried on their property. Soon it comes back to life, possessing people and using them to commit sacrifices and to search for the rest of his body.
Spaniards in Paris
6.4/10
In the early 70's, more than forty thousand Spanish in Paris working as maids. Few had crossed the border before, and most had not even left her village. These girls are Emily, who has left behind the hard times and has adapted to the big city, Isabel struggling to her sonthat she had with a man who abandoned she, Dioni, who thinks only of early money, and Francisca, a woman who knows nothing and is lost in life.
The Cannibal Man
6.3/10
A young man, Marco, working as a butcher, accidentally kills a taxi driver. His girlfriend Paula wants to go to the police so he has to kill her too. He then has to kill his brother, his brother’s fiancée and his father, who have become suspicious. He gets rid of the bodies by taking them to a slaughter house.
The Dumbfounded King
6.6/10
Spain, under Philip IV (1621-1665). The film is based on a novel by Gonzalo Torrente Ballester. The King is stunned to see the naked body of Marfisa, the most beautiful prostitute of the town and Court. After that, he also wants to see the Queen naked. However, the King, despite the opposition and the scandal of the Church, will not stop until he reaches his wishes.
El certificado
6.2/10
Silvia is a Spanish woman from the provinces who travels to the big city at the time of Franco's dictatorship. There she meets a married man, with whom she ends up having a sentimental relationship, becoming lovers. But to prove him that he should not be jealous, Silvia gets a certificate of virginity.
Femenino singular
3.5/10
Cutting Heads
5.8/10
In a castle, somewhere in the Thirld World, Diaz is delirious, dreaming of the power he had in Eldorado, while oppressing the indians, workers and peasants. He is well aware of the menace his old victims represent, while a miracle-making shepherd fascinates and frightens him. Diaz finds a countrywoman, symbol of purity, and prepares a ceremony in his castle resembling his own funeral. - IMDb
