The best Emiko Yamauchi’s movies
If you love cinema, you will share this ranking of the best Emiko Yamauchi’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Emiko Yamauchi.
The Transgressor
6.6/10
After the mysterious death of her mother, Maya takes religious vows to find out what terrible things happened to her mother inside the Sacred Heart Convent. As soon as the door closes to the nunnery, the nuns start torturing her. She also has to deal with a lecherous archbishops and a lesbian mother superior.
Perfect Education 2: 40 Days of Love
5.5/10
A young girl, who lost her father at her early age, is kidnapped by a school teacher. He strips, binds and attempts to rape her. For the next few days she tries to escape but in vain. Later, she becomes used to the life with him. Even when she has a chance to run, she chooses to stay. Slowly, their relationship becomes a creepy half-paternal, half-romantic liaison.
Curse
5.9/10
In a rural village with a poorly understood but long standing curse from the Dog God, outsiders from a major Tokyo mining corporation scouting for uranium destroy a small shrine and crush a dog under their jeep wheels. After one of the mining company employees marries the daughter of a prominent member of the village, the Dog God’s wrath boils over and people start to die. The village girl and mining company employee start a new life in Tokyo, but the Dog God possesses her and she is deemed mentally ill. The couple returns to the village to perform an exorcism, but it is unsuccessful. As the body count accumulates, the cause of and remedy for the curse becomes more opaque.
Farewell to Rock'n Roll
6.5/10
There is an ongoing war between two Girl Gangs, the Akabane 100 Club and the Ikebukuro Cavalry. Yukiko, the "Bankaku," or chief bodyguard of the Akabane, is released from reform school and sets about to finish an ongoing one-on-one grudge match with the Arab Falcon and the whole Cavalry gang. With a theme song by 1970s Japanese "Group Sounds" band Carol, and live performance. Rock and Sukeban unite for an extraordinary and cool piece of filmmaking.
Jun
Jun has come to Tokyo from his family home, an island which resembles a ship. He works in a machine shop and is attempting to develop a career as a cartoonist in his spare time. When he travels around the town by subway, he has grown into the habit of groping female passengers in a sexual way. They never denounce him, and many seem to respond very favorably, moaning in apparent ecstasy. However, when his girlfriend sees him doing this, she denounces him to the police. The woman he was groping at the time refuses to press charges; indeed, she says that what was happening was nobody's business. Still, Jun's girlfriend leaves him. He goes to his father's grave to pay his respects, but somehow cannot find it. On his way back, he sees a number of men molesting a woman and does nothing to stop them. Eventually his girlfriend comes back to him, and his indulgence in train-groping tapers off.
