The best Elisabete Piecho’s movies

In 1980, a small plane carrying the Prime Minister, the Defense Minister and six others crashed during takeoff in Camarate, Portugal, killing all on board. The police investigation decided it was an accident caused by pilot error. But controversy raged for twenty years, and the Parliament investigated it no less than six times. Finally, in 2000, in response to a suit by the families of the survivors, the High Court had to decide whether to open a criminal investigation, or close the case forever.

The film tells the story of Martin, a child of nine years, who one day disappears from private school where he studied. Police mounted a major search operation across the city to find him. All hypotheses are possible: What happened?

A plot that surrounds police officers, politicians and consultants who crudely demonstrate the lines apparently hidden of the political system and public institutions.

Vanitas is the new feature film by veteran Portuguese director Paulo Rocha. With a script by Regina Guimarães, the film brings together actresses Isabel Ruth and Joana Bárcia – no strangers to this director's world – in a story about a depressed fashion designer who falls in love with the daughter of one her tailors.

From Jacques Prévert's poem “Petit déjeuner du matin”, Mau Dia experiences a dilation of the time in which the banality hides the lived drama. All elements are decomposed and then rebuilt - painted walls, orchestrated rain, spoiled actions, depicted or sung…

Zézé Gamboa's sardonic historical drama follows a good-hearted, apolitical con man who, on the eve of Angolan independence in the mid-1970s, pulls off a massive swindle at the expense of the Portuguese colonial administration — and soon after finds himself hailed as a hero of the national liberation struggle.

An act of passion, filmed in a church turned into a bar, on Easter 2003, and starring as many actors as the days of the year… Taking the sacred painting as a reference, the film questions the human condition: letting oneself die like Christ or betray scientifically like Peter?

Two years after consorting with the wrong people cost him his job as public prosecutor, Eduardo Silva is a measly defense attorney, who works from his hotel room. Loosing a bit from her fellow-angler uncle, he gives a shot as unpaid apprentice to freshly-graduated gypsy Marcia Amaya, whom nobody would consider hiring so far, but is soon offered crossing to the office of Silva's successor as prosecutor. Their first client is common-as-muck Joana Soares, accused of murdering her beached-up husband after a public fight, without an alibi, claiming a blackout. Eduardo is countered while working out, with help from Marcia's and Joana's families, how the affair actually relates to illegal trade in medicine, with twists including the involvement of a crime lord.

Adília was once a successful pianist. Now her only contact point with the world is her daughter.