The best Eleonora Stathopoulou’s movies
Today we present the best Eleonora Stathopoulou’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Eleonora Stathopoulou’s movies.
Lion of the Desert
8.2/10
This movie tells the story of Omar Mukhtar, an Arab Muslim rebel who fought against the Italian conquest of Libya in WWII. It gives western viewers a glimpse into this little-known region and chapter of history, and exposes the savage means by which the conquering army attempted to subdue the natives.
Melodrama?
6.7/10
A 30-year-old man (Lefteris Vogiatzis) returns from America suffering an existential crisis. He goes to Corfu to see his sick mother and tries to find happiness through a desperate love ...
1922
6.4/10
Based on the book by Ilias Venezis "The Number 31328", the film by Nikos Koundouros unfolds through the personal tragedies of three characters, the Asia Minor Disaster and the agonizing travails of the Asia Minor Greeks who had been arrested and led to death by Kemal's troops and armed groups of Muslims. The wife of a merchant, a teacher and a seventeen-year old boy try to survive, following the column of prisoners into the depths of Asia Minor.
Bordello
5.4/10
Crete 1897. Greek rebels gained their freedom by fighting in the mountains. An allied fleet of French, English, Italian and Russian warships anchored in the port of Chania in protecting Greek and Turkish inhabitants. Rosa Bonaparte, accompanied by twelve girls off at a deserted beach with all the equipment of a Marseille brothel. Installed in a wing of a huge, ruined former Town Hall, where the officers of the allied fleet meet and entertain in the evenings surrounded by undercover agents, military connectors, and speculators : an East-West mosaic of languages, costumes and intrigue ...
A Quiet Death
5.9/10
Martha is unhappy with her life as it is at the moment, and among other issues, she has decided to give up her writing career. Along with that decision comes a need to get away from her husband and from her psychiatrist, with whom she has had more than just a doctor-patient relationship. As Martha travels through a deserted city landscape in a storm, the external world reflects something of her inner turmoil. Flashbacks are interspersed throughout the film to enhance the suspense of Martha's inner and outer journey.
