The best Elena Radonicich’s movies

Nadine is a French young woman. Fausto is an Italian young man trying to make it in Paris as a restaurant waiter. They accidentally meet at a five-star hotel. Both are fragile, alone and obsessed with the idea of an unattainable happiness. Their intense love is challenged by their own individual ambition and desperation.

Alice and Tommaso have been together for fifteen years; they don’t have children, he‘s a musician, she’s an actress. Invited to dinner for an announcement, their friends think it’s going to be a marriage announcement, but instead discover that decided to break up: but without drama or emotional rifts, staying friends with each other. A legitimate but naive ambition. Love stories end, because people change. And no change is, nor can it be, painless.

The lovely and talented Anna Foglietta (Perfect Strangers, The American) plays Simona; a single mother in her early ‘40s who is wholly devoted to her son, Filippo. To get over her insecurities as a parent and make her son happy on his eighth birthday, she decides to throw him a birthday party in their small flat and invite over his school friends and their parents. For Simona, this birthday is about to pose quite the surprising dilemma between allowing her son to embrace his true self and a mother’s fierce desire to protect her child from their potentially cruel surroundings. This is the last conundrum she was expecting to have to face on a day that is already rife with anxiety. Director Laura Chiossone turns their tiny flat into a melting pot and whilst the children play in the living room, the adults in the kitchen talk about parenthood, love, and different world views.

Every morning, pushing the wheelchair of his mother, Maurizio along the walkway through the bush and tie him entrance to his kiosk on the beach. After being assured that his attendants, and Khaled Omar, they did a good job, going to hoist the Italian flag, which stands on top of building.

A biopic on the personal and artistic life of Italian songwriter Fabrizio De André.

Armin, in his fourties, is a freelancer with lots of time and little money. He’s not really happy, but can’t picture living a different life. One morning the world looks the same as always, but mankind has disappeared.

Martino, a young entomologist in a sentimental crisis, returns to Rome to find his beloved uncle. As soon as he arrives, his uncle asks him to babysit the daughter of some friends. Once arrived at Linda's home, the little girl, Martino finds out that along with her there is also Lulù, her eccentric and unpredictable grandmother. Everything becomes more complicated when Martino receives the phone call of Tea, an old love encountered by accident right that afternoon. The woman is in danger and asks him for help. Martino, excited about the idea of saving her, is forced to bring the grandmother and child into a series of adventures and misadventures, encounters and unforeseen events, around a nocturnal Rome, seeking a new love.

When Irena Ruppel, a fascinating Slovenian woman, arrives in a valley of the Po river, she is hosted by a man of that area, Gabriele. She seems to know a lot about Gabriele, whom at the same time is intrigued by this woman who doesn't speak Italian but she seems to understand everything that happens around her. Once she leaves, she gives a weak clue to Gabriele: her name and Tolmin, the name of a locality at the borders between Italy and Slovenia. Gabriele can't help it and goes to look for her, taking a journey that will bring him to the truth about his parents, himself and this woman who threw his calm life into confusion.