The best Eitarō Shindō’s romance movies
Today we present the best Eitarō Shindō’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Eitarō Shindō’s movies.
The Crucified Lovers
8/10
In 17th century Kyoto, Osan is married to Ishun, a wealthy miserly scroll-maker. When Osan is falsely accused of having an affair with the best worker, Mohei, the pair flee the city and declare their love for each other. Ishun orders his men to find them, and separate them to avoid public humiliation.
Princess Yang Kwei Fei
7.1/10
In eighth century China, the Emperor is grieving over the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their influence over the court. General An Lushan finds a distant relative working in their kitchen whom they groom to present to the Emperor. The Emperor falls in love with her and she becomes the Princess Yang Kwei-fei. The Yangs are then appointed important ministers, though An Lushan is not given the court position he covets. The ministers misuse their power so much that there is a popular revolt against the Yangs, fueled by An Lushan.
Woman of Rumor
7.4/10
Yukiko's fiance learns her mother runs a geisha house and ends their engagement. She despises what her mother does until one of her clients shows interest and starts to woo her.
Sky of Hope
6.8/10
What is marriage? Young couple in match-making wanted to know before they decide. They visited married couples of sisters and brothers. Love comedy in 1942.
Chikamatsu's Love in Osaka
7.4/10
The adopted son of an Osaka courier falls in love with a prostitute and, discovering that she is about to be purchased by a client, steals money from his employer to redeem her. Hunted criminals, the two young lovers take flight to Yamato, but, as in Chikamatsu's other domestic tragedies of love and duty (known as sewamono), they must be pursued and their passion destroyed by death. Favourite Uchida themes, such as the indenturing of a prostitute (cf. YOSHIWARA; A BLOODY SPEAR AT MT. FUJI), and his characteristic emphasis on performance and theatrical artifice re-emerge here; but the daring device of having Chikamatsu appear as a character - not unlike having Shakespeare interpolated into a film adaptation of one of his plays - is just one of many surprises this remarkable film holds. “Extraordinary” (Donald Richie).
A House in the Quarter
7/10
With her family suffering from extreme poverty, Yuko, as the eldest daughter, is sold to a successful brothel in Kyoto. There she is assigned to serve Takamatsu, one of the brothel’s top customers. But while Takamatsu falls madly in love with Yuko, she finds herself attracted to a young priest named Kunugida. Torn by jealousy, Takamatsu hatches an evil plan to tear them apart.
Festival of Swordsmen
6.3/10
During the middle of the Kanei Period (1624-1644) Japan was in the early stages of its most peaceful era. This left a large number of unemployed samurai with nothing to do, and their morale suffered. In order to raise their spirits, the Shogun's Chief Advisor suggests that they hold a "Festival of Swordsmen" in the Shogun's presence. Problems arise when some of the martial artists bring their personal grudges to the competition. When Busshi Shirogoro (OTOMO) meets the daughter of the late Lord SANADA Yukimura sparks fly as she tries to use the competition to carry out her vengeance against Shogun Iemitsu.
Three Women Around Yoshinaka
7.4/10
The story of Yoshinaka and the three women who love him
