The best Eitarō Ozawa’s drama movies

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older. She's of an age when she must choose: to seek marriage (difficult given her tarnished occupation), to be a kept woman, or to borrow money to buy a bar of her own. Each route has dangers, including investors demanding a return on their loans. Keiko has a quiet dignity that attracts men, but are they what they seem? Does she actually have choices?

A guilt-haunted samurai warrior attempts to stop a massacre taking place.

During the Second World War, Japanese conscientious objector Kaji works as a supervisor in a Manchurian prison camp. He hopes to avoid duty as a soldier, but he also hopes to be helpful to the welfare of his prisoners. But an unexpected incident bring problems to Kaji's goals. He faces the possibility of transferral to combat--or worse.

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.

A celebrity photograph sparks a court case as a tabloid magazine spins a scandalous yarn over a painter and a famous singer.

In 17th century Kyoto, Osan is married to Ishun, a wealthy miserly scroll-maker. When Osan is falsely accused of having an affair with the best worker, Mohei, the pair flee the city and declare their love for each other. Ishun orders his men to find them, and separate them to avoid public humiliation.

An errant salaryman's son gets lost until a man from the Tokyo tenements brings him to vendor Tane, who's reluctant to let the kid board.

A young journalist interviews an elderly woman about being forced into prostitution in Borneo at a brothel called Sandakan No. 8.

In eighth century China, the Emperor is grieving over the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their influence over the court. General An Lushan finds a distant relative working in their kitchen whom they groom to present to the Emperor. The Emperor falls in love with her and she becomes the Princess Yang Kwei-fei. The Yangs are then appointed important ministers, though An Lushan is not given the court position he covets. The ministers misuse their power so much that there is a popular revolt against the Yangs, fueled by An Lushan.

Ichi is staying at an inn when a woman dies. Her dying wish is that Ichi take her son to his father, an artist living in a nearby town. After arriving in the town, Ichi finds out that the father has been forced by a local boss to create illegal pornography to pay off his gambling debts. Ichi makes it his mission to save tha man and reunite the family, even though it brings him into conflict with a samurai he sort of befriended on his way to the town.

A group of rank-and-file Japanese soldiers are jailed for crimes against humanity, themselves victims of a nation refusing to bear its burdens as a whole.

A lavish retelling of the true story of the final voyage and ultimate destruction and sinking of the battleship Yamato, Japan's greatest flagship during the Second World War.

Years of warfare end in a Japan unified under the Tokugawa shogunate, and samurai spy Sasuke Sarutobi, tired of conflict, longs for peace. When a high-ranking spy named Tatewaki Koriyama defects from the shogun to a rival clan, however, the world of swordsmen is thrown into turmoil. After Sasuke is unwittingly drawn into the conflict, he tracks Tatewaki, while a mysterious, white-hooded figure seems to hunt them both. By tale’s end, no one is who they seemed to be, and the truth is far more personal than anyone suspected. Director Masahiro Shinoda’s Samurai Spy, filled with clan intrigue, ninja spies, and multiple double crosses, marks a bold stylistic departure from swordplay film convention.

The eighth sequel of the series by the successful “Fukasaku and Bunta” collaboration revolves around the men of a lesser organization that are constantly bullied by the upper organization and “bleed in vain” in gang wars.

Kinichi and Akiko meet when they visit their fathers in prison. After successfully gambling on a bicycle race, they spend an enjoyable day together at the beach. Akiko, who tries to make money as an artist's model to pay for her mother's medical expenses, now has to find 100,000 yen to pay off the company from which her father embezzled. Kinichi also requires 100,000 yen as bail for his father, who is accused of election fraud. Kinichi tries to borrow 100,000 yen from his mother, whom he has not seen for three years.

Tied to a mountain between her brutalizing spouse and her secret lover, disaster strikes; the authorities accuse her of murder and prompt a confession.

Kumokiri Nizaemon, a former samurai warrior, has abandoned his class to become the leader of a gang of thieves. He leads his outlaws in an attempt to rob the castle of his former clan.

An exciting tale of action on the distant northern island of Hokkaido around the beginning of the 20th Century starring two of the biggest names in Yakuza film history, Fuji Junko and Takakura Ken. Since the death of death of her father, Yuki who has traveled from her home in the southernmost part of Japan must fight corrupt local officials seeking to fill her late father's post. As her life is in danger a mysterious rifleman, played by Takakura Ken watches from the shadows. Can she finish the work her dear departed father started in an untamed land?