The best Edward LeSaint’s music movies

Quincy Adams Wagstaff, the new president of Huxley U, hires bumblers Baravelli and Pinky to help his school win the big football game against rival Darwin U.

A former college football hero and his college sweetheart get married. Marital turmoil ensues as her criminal law practice soars while he cannot get his career as an architect off the ground. They separate, and the man begins making extra money by singing in a nightclub. When he is unjustly accused of murder, it is up to his estranged wife to defend him in court.

After retiring from movies to get an education, a man discovers his ex-staff is trying to have him expelled.

When she can't support her illegitimate child, an abandoned young woman puts her up for adoption and pursues a career as a torch singer. Years later, she then searches for the gave up child.

Swanee River is a 1940 American biopic about Stephen Foster, a songwriter from Pittsburgh who falls in love with the South, marries a Southern girl, then is accused of sympathizing when the Civil War breaks out. Typical of 20th Century Fox biopics of the time, the film is more fictional than factual biography.

Opening with a credit line that reads "Entire production conceived, created and directed by George White," a film evolves where the only plot line is a thin backstage romance between Jimmy Martin and Kitty Donnelly in and around a dozen or more sketches, revues, black-outs and singing and dancing turns. Made before the birth of the production code, reviewers of the day found much to object about in the implications of Alice Faye's "Nasty Man" song with the Meglin Kiddies, and the dog action in the "Your Dog Loves My Dog" number by Vallee, Faye, Jimmy Durante and Dixie Dunbar. The geometric dance arrangements used in the Vallee, Durante and Cliff Edwards "Every Day Is Father's Day" was not cause for Busby Berkeley to lose any sleep.

A philosophy professor accompanies his school's rowing team on a worldwide tour.