The best Edward Everett Horton’s music movies

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must leave behind her ageing vaudevillian father; vulnerable Sheila, the working girl pursued both by a millionaire and by her loyal boyfriend from Flatbush; and the mysterious European beauty Sandra, whose concert violinist husband cannot endure the thought of their escaping from poverty by promenading her glamor in skimpy costumes.

Upset about a new Broadway musical's mockery of Greek mythology, the goddess Terpsichore comes down to earth and lands a part in the show. She works her charms on the show's producer and he incorporates her changes into the show. Unfortunately, her changes also produce a major flop.

Ballet star Petrov arranges to cross the Atlantic aboard the same ship as the dancer and musical star he's fallen for but barely knows. By the time the ocean liner reaches New York, a little white lie has churned through the rumour mill and turned into a hot gossip item—that the two celebrities are secretly married.

At a Mexican resort, a fast-talking magazine editor woos the dancer he's trashed in print.

A prince from a small kingdom courts a wealthy widow to keep her money in the country.

An Eddie Cantor look-alike organizes an all-star show to help the war effort.

Judy Jones can claim inheritance only if she marries a genius.

Broadway partners Vicky Lane and Dan Christy have a tiff over Christy's womanizing. Jealous Vicky takes up with her old flame and former dance partner, Victor Price, and Dan's career takes a nosedive. In hopes of rekindling their romance and getting Vicky back on the boards with him, Dan follows her to a ritzy resort in the Canadian Rockies, where she and Victor are about to open their new act. But things get complicated when Dan wakes after a bender to find that he's hired an outlandish Latin secretary, Rosita Murphy, which makes Vicky think he's just up to his old tricks again.

Brazil is perhaps the best of the handful of US films made by Brazilian singing sensation Tito Guizar. In typical screwball-comedy fashion, the plot is set in motion by authoress Nicky Henderson, who has hit the best-seller charts with her latest tome, Why Marry a Latin? While researching her next book in Rio De Janeiro, she finds out "why" when she meets handsome songwriter Miguel Soares. Upon learning about Nicky's book, Miguel decides to teach her a few lessons in the affairs of the heart. Edward Everett Horton is also on hand, twittering his way through the role of a well-meaning buttinsky. Thanks to the "Good Neighbor" policy of the 1940s, South American musicals were a glut on the market, but Brazil was good enough on its own merits to pay its way at the box office.

J. D. Forbes, head of the almost-bankrupt Four Star Studios in Hollywood contacts band leader Kay Kyser, who puts on a radio and-live theatre program called "The Kollege of Musical Knowledge," to appear in films. When manager Chuck Deems gets the studio offer, he and band members Ginny Simms, Sully Mason, Ish Kabiddle, Harry Babbitt and the others are all fired up at the prospect of going to Hollywood and working in the movies, but band-leader Kay is all against it and says his old grandmother has told him to stay in his own back yard, but he relents. Once there, Stacey Delmore, a Four Star associate producer left in charge of the studio while Forbes is out of town, discovers that the screenplay writers have prepared a script that has Kay Kyser playing a glamorous lover in an exotic European setting.

Parisian playboy plays father to an abandoned baby who interferes with his womanising.

Napoleon Bonaparte's younger brother, visiting the United States, falls madly in love with a young woman he meets in Baltimore.

A Paris singer's (Lily Pons) press agent (Jack Oakie) arranges her Manhattan debut by way of Africa.

A Texas millionaire travels to Europe to meet his girlfriend, a European countess. He stops in a rustic mountain village and meets a beautiful peasant girl. He falls in love with her, then must decide if he wants her or the rich countess.

Neurotic Broadway star Al Jackson faces professional ruin when he loses his voice. While recuperating in the country, he falls in love with farm girl Ruth Haines, the pretty aunt of precocious little Sybil Haines.

Gracie Alden tries to graduate from college to get an inheritance.

Paramount Pictures decided in 1935 to create a new romantic team, thus cast singing stars Carl Brisson and Mary Ellis in the frothy operetta All the King's Horses. Brisson does the "Prisoner of Zenda" bit as a movie star who is forced by circumstances to impersonate a look-alike king. Ms. Ellis is the highborn lady who seems to be fooled by the ruse. The plots roll merrily onward while various and sundry musical-comedy character actors (including Edward Everett Horton and Eugene Pallette) fuss and fume in the background. Danish singer Carl Brisson had created a minor sensation by introducing "Cocktails for Two" in Paramount's Murder at the Vanities (34), but the studio's attempts to turn him into a Scandinavian Maurice Chevalier were unsuccessful.

Wall Street wizard, Larry Day, new to the ways of love, is coached by his valet. He follows Vivian Benton on an ocean liner, where cocktails, laced with a "love potion," work their magic. He then loses his fortune in the market crash and feels he has also lost his girl.