The best Eddie Webber’s movies

Armed robber and career criminal Jack Cregan seeks to discover the truth behind his father's murder and his stolen heist money and in doing so puts his life in danger. The devastation that Jack soon discovers puts his very own existence into question.

During the '80s, a young man named Frankie dreams of escaping London's South East region, and his mother's thug of a boyfriend gives him just the opportunity. After beating up the abusive beau, Frankie runs off to Spain, where he lands a job delivering a package to the dapper Playboy Charlie, a gangster who takes him under his wing. Working as Charlie's driver, Frankie is immersed in a world of fast cars and pretty women -- but all the excess could be his undoing.

Set in the 1980s, Dom is a teenager who finds himself drawn into the charismatic world of football 'casuals,influenced by the firm's top boy, Bex. Accepted by the gang for his fast mouth and sense of humor, Dom soon becomes one the boys. But as Bex and his gang clash with rival firms across the country and the violence spirals out of control, Dom realizes he wants out - until he learns it's not that easy to simply walk away.

When Martin Luxford (Hugo Speer) leaves jail, he decides to form a swing band, having been taught to play the saxophone by his cellmate Jack. Returning to his native Liverpool, Martin pulls together a backing band of misfits and loners, and recruits his ex-girlfriend Joan (Lisa Stansfield) as a singer. Things are complicated somewhat by the fact that Joan is now married to the policeman who arrested Martin, and when the band's first gig - at a heavy metal pub - goes badly, it seems as though the road to musical success may be a rocky one.

Svengali tells the story of Dixie, a postman from South Wales, and a music fanatic. All his life he’s dreamed of discovering a great band and then one day, trawling through YouTube, he finds them… ‘The Premature Congratulations’. He hunts them down and offers them his management services. They are young, arrogant, sexy and utterly magnificent. Putting their demo on a cassette tape, Dixie heads out onto the streets of London…

The rise and fall of the Essex Boys gang - the drugs, the violence and, of course, the murders. The real story is the most shocking of all.

Abused, broke and down on her luck, Sarah is given a new shot at life when she moves into a new apartment. At first the apartment seems to have been the right choice for Sarah, she even meets some new friends including Sid (Jason Mewes). But before long tenants begin disappearing, when Sarah and Sid go looking for them, they discover an evil lurks, hell bent on not only taking over their building, but the city as well. As Sarah and Sid fight for survival, the bitter and vengeful ghost begins inhabiting the bodies of the tower’s tenants turning them to bloodthirsty zombies.

From the cliffs of the Isle of Wight to an abandoned swimming pool in Lambeth, Boys On Film 8: Cruel Britannia presents an eclectic mix of ten UK-set short films including: Harry Wootliff's "I Don't Care" starring Iwan Rheon; Ben Peters's "Downing" starring Jamie Brotherston and Ross William Wild; David Andrew Ward's "All Over Brazil" starring Iain De Caestecker, Frank Gallagher, and Gemma Morrison; David Leon and Marcus McSweeney's "Man and Boy" starring Eddie Marsan, Geoff Bell, and Eddie Webber; Aleem Khan's "Diana" starring Neeraj Singh; Jason Bradbury's "We Once Were Tide" starring Alexander Scott, Tristan Bernays, and Mandy Aldridge; Hong Khaou's "Spring" starring Chris O'Donnell and Jonathan Keane; Sybil H. Mair's "The Chef's Letter" starring Jonathan Firth, Ray Fearon, and Layke Anderson; Faryal's "What You Looking At?!" starring Rez Kabir, Michael Twaits, and Hussina Raja; and Dominic Leclerc's "Nightswimming" starring Harry Eden, Linzey Cocker, and Tim Dantay.

An ordinary working family man dares reach beyond his grasp. Even if it means risking death at the hands of the drug underworld.

A father takes justice into his own hands when he thinks his son has been sexually assaulted. A suspected paedophile lies dead outside a block of high-rise council flats. Did he jump or was he pushed, roles are reversed as the hunter becomes the hunted.