The best Dylan Baker’s crime movies
Dylan Baker is an American stage and screen actor and director. He holds an MFA from the Yale School of Drama, New Haven, Connecticut.
Disclosure
6.2/10
A computer specialist is sued for sexual harassment by a former lover turned boss who initiated the act forcefully, which threatens both his career and his personal life.
Road to Perdition
7.7/10
Mike Sullivan works as a hit man for crime boss John Rooney. Sullivan views Rooney as a father figure, however after his son is witness to a killing, Mike Sullivan finds himself on the run in attempt to save the life of his son and at the same time looking for revenge on those who wronged him.
Along Came a Spider
6.4/10
After the harrowing death of his partner, detective and best-selling author Alex Cross has retreated to the peace of retirement. But when a brilliant criminal kidnaps a senator's young daughter, Alex is lured back into action. Teamed with the Secret Service agent assigned to protect the missing girl, Alex follows a serpentine trail of clues that leads him to a stunning discovery - the kidnapper wants more than just ransom.
Extremely Wicked, Shockingly Evil and Vile
6.7/10
A chronicle of the crimes of Ted Bundy, from the perspective of his longtime girlfriend, Elizabeth Kloepfer, who refused to believe the truth about him for years.
Requiem for a Dream
8.3/10
The hopes and dreams of four ambitious people are shattered when their drug addictions begin spiraling out of control. A look into addiction and how it overcomes the mind and body.
Changing Lanes
6.5/10
A rush-hour fender-bender on New York City's crowded FDR Drive, under most circumstances, wouldn't set off a chain reaction that could decimate two people's lives. But on this day, at this time, a minor collision will turn two complete strangers into vicious adversaries. Their means of destroying each other might be different, but their goals, ultimately, will be the same: Each will systematically try to dismantle the other's life in a reckless effort to reclaim something he has lost.
Let's Go to Prison
5.9/10
When a career criminal's plan for revenge is thwarted by unlikely circumstances, he puts his intended victim's son in his place by putting him in prison...and then joining him.
The Matador
6.7/10
The life of Danny Wright, a salesman forever on the road, veers into dangerous and surreal territory when he wanders into a Mexican bar and meets a mysterious stranger, Julian, who's very likely a hit man. Their meeting sets off a chain of events that will change their lives forever, as Wright is suddenly thrust into a far-from-mundane existence that he takes to surprisingly well … once he gets acclimated to it.
Oxygen
6/10
When housewife Frances Hannon is abducted and buried alive, detective Madeline Foster is brought in. With only 24 hours before Frances' oxygen runs out, Madeline pursues the trail laid by a killer calling himself Harry Houdini. After capturing him, Madeline brings Harry back to the police station, but is unable to get him to confess where Frances is buried. As time runs down, Harry gets inside the head of unstable, alcoholic Madeline.
Radioland Murders
6.1/10
In 1939, WBN, a fourth radio network, is about to take to America's airwaves. As if the confusion of the premiere night wasn't enough, Penny Henderson, the owner's secretary, must deal with an unhappy sponsor, an overbearing boss and a soon-to-be ex-husband who desperately wants her back. As the broadcast begins, a mysterious voice breaks the broadcast and suddenly members of the cast turn up dead. It's up to her husband Roger, to find out whodunit as the police chase him through the halls of WBN.
The Laramie Project
7.1/10
"The Laramie Project" is set in and around Laramie, Wyoming, in the aftermath of the murder of 21-year-old Matthew Shepard. To create the stage version of "The Laramie Project," the eight-member New York-based Tectonic Theatre Project traveled to Laramie, Wyoming, recording hours of interviews with the town's citizens over a two-year period. The film adaptation dramatizes the troupe's visit, using the actual words from the transcripts to create a portrait of a town forced to confront itself.
