The best Duarte Guimarães’s movies
Today we present the best Duarte Guimarães’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Duarte Guimarães’s movies.
Mysteries of Lisbon
7.4/10
The tragic story of the many lives of Father Dinis, his dark origins and his pious works, and the different fates of all those who, trapped in a sinister web of love, hate and crime, cross paths with him through years of adventure and misfortune in the convulsed Europe of the late 18th and early 19th centuries.
Captains of April
7.1/10
Story of the 1974 coup that overthrew the right-wing Portuguese dictatorship--which continued the fascist policies of long-time dictator Antonio Salazar--and of two young army captains who were involved in it.
Technoboss
5.8/10
The start of Luís Rovisco’s old age isn’t exactly cheerful. Already in his sixties, he’s still roaming the country by himself, carrying out his tasks — increasingly less real — as sales director for the company SegurVale. Sadness, resignation? Not with the songs Luís makes up behind the wheel, and that take over this film from start to finish.
Gigola
5.1/10
George, a charismatic and adventurous young woman, born from an old, catholic family, falls in love, in her teens, with a female teacher named Sybil. Devastated by her lover's eventual suicide, some years later, George embarks on an exciting and reckless journey to the depths of Pigalle's nightlife, circa 1960. After an encounter with a very wealthy, still attractive, but older woman, Odete, who offers her money and gifts in return for sexual favours, George becomes Gigola, a kind of gigolo for women only.
Fragile(s)
6.3/10
Il y a des jours où le destin entrecroise les vies, où les solitudes s'animent sous l'effet du hasard, où un événement bouleverse le cours de plusieurs vies. Six personnages vont se croiser, se réunir, s'abandonner, se retrouver alors que rien ne les prédisposait à se rencontrer. Un lien existe pourtant entre eux. Et le destin va se charger de le leur rappeler.
Demain?
5.3/10
The short life of the Uruguayan poet Delmira Agustini is colourfully portrayed, not as a conventional biopic, but as a visual poem which evokes the turbulent life and complex personality of the literary heroine as she develops her genius for writing.
The Dead Queen
6.7/10
Royal romance and epic tragedy feature in this historical drama about Pedro I of Portugal and his lover, Ines de Castro. Their legendary, doomed love story is explored, as well as the darkness surrounding Pedro's powerful, sadistic father.
Ramiro
6/10
Ramiro is a bookstore owner in Lisbon and a poet in perpetual creative block. He lives, somewhat frustrated, somewhat conformed, between his shop and the tavern, accompanied by his dog, his faithful drinking companions and his neighbors: a pregnant teenager and her grandmother recovering from a stroke. He would gladly continue living this quiet and somewhat anachronistic routine if events worthy of a soap opera did not invade his bubble.
Julgamento
6.2/10
In 1970, a man is tortured and murdered by the regime's secret police. Now nearly 40 years later, his friend, who had also been tortured, recognizes the man he deems responsible for the murder of his friend. Along with three old friends and the victim's daughter, they kidnap the man and take him to an isolated house. Once there, the concepts of justice and revenge begin to mix dangerously in a private trial with irreversible consequences.
