The best Dossy Peabody’s movies
Today we present the best Dossy Peabody’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Dossy Peabody’s movies.
Edge of Darkness
6.6/10
As a seasoned homicide detective, Thomas Craven has seen the bleakest side of humanity. But nothing prepares him for the toughest investigation of his life: the search for his only daughter Emma's killer. Now, he is on a personal mission to uncover the disturbing secrets surrounding her murder, including corporate corruption, government collusion and Emma's own mysterious life.
Mermaids
6.7/10
Fifteen-year-old Charlotte Flax is tired of her wacky mom moving their family to a different town any time she feels it is necessary. When they move to a small Massachusetts town and Mrs. Flax begins dating a shopkeeper, Charlotte and her 9-year-old sister, Kate, hope that they can finally settle down. But when Charlotte's attraction to an older man gets in the way, the family must learn to accept each other for who they truly are.
In Dreams
5.5/10
A suburban housewife learns that she has psychic connections to a serial killer, and can predict this person's motives through her dreams.
The Crucible
6.8/10
Based upon the play "The Crucible" by Arthur Miller (who wrote the screen adaptation), the Salem witch trials in 1692 plunge the Massachusetts Bay colony into chaos.
Living With Lincoln
7.5/10
Filmmaker Peter Kunhardt examines how a one-of-a-kind collection of Abraham Lincoln photos and memorabilia have profoundly shaped the lives and sensibilities of five generations of his family.
Louisa May Alcott: The Woman Behind Little Women
7.7/10
Louisa May Alcott, author of "Little Women," leads a literary double life, writing under the pseudonym A.M. Barnard, an identity that remains until the 1940s.
Meet the Mobsters
5.7/10
Down-and-out lounge singer Johnny Slade is hired by a mystery man to open a hot new club, the catch being he's given a new--and terrible--song to sing each night. Noticing that whenever he sings one a new crime is committed, Johnny gradually realizes his songwriter-benefactor is a powerful mob boss in hiding and his "Greatest Hits" are the only way the man can give orders to his crew...
