The best Dorothy West’s drama movies
Today we present the best Dorothy West’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Dorothy West’s movies.
Ramona
5.9/10
Ramona, a young girl growing up on her adoptive mother's rancho in California, falls in love with the Indian lad Alessandro. When Ramona is denied permission to marry Alessandro, the two lovers elope, only to find a life of great hardship and unhappiness amidst the bigotry and greed of the white landowners.
A Corner in Wheat
6.6/10
On a whim, a greedy tycoon decides to corner the world market in wheat. This doubles the price of bread, forcing grain producers into charity lines and others further into poverty. The film contrasts the differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.
The Unchanging Sea
6.3/10
In this story set at a seaside fishing village and inspired by a Charles Kingsley poem, a young couple's happy life is turned about by an accident. The husband, although saved from drowning, loses his memory. A child is on the way, and soon a daughter is born to his wife. We watch the passage of time, as his daughter matures and his wife ages. The daughter becomes a lovely young woman, herself ready for marriage. One day on the beach, the familiarity of the sea and the surroundings triggers a return of her father's memory, and we are reminded that although people age and change, the sea and the ways of the fisherfolk remain eternal.
His Trust
5.1/10
A Confederate officer is called off to war. He leaves his wife and daughter in the care of George, his faithful Negro servant. After the officer is killed in battle, George continues in his caring duties, faithful to his trust.
The Usurer
5.8/10
A wealthy, callous moneylender finds a terrifying way to learn about money's limitations.
An Awful Moment
4.4/10
After a judge (Harry Solter) does his job and sentences a man, a gypsy woman (Marion Leonard) erupts in vehement protests and has to be taken forcefully out of the courtroom. Later the gypsy follows the judge to his home and plots a vicious revenge on his wife (Florence Lawrence).
The Fugitive
5.8/10
Two Johns, a Confederate and an Union soldier, leave their families to go to the front. After a skirmish they end up separated from their respective sides, the Union soldier shoots the Confederate, but he has to escape and look for refuge in the house of his enemy.
The Light That Came
6.1/10
A disfigured young woman with two beautiful sisters is courted by a blind man. Will he still love her when his sight is restored?
The House with Closed Shutters
5.9/10
During the Civil War a young soldier loses his nerve in battle and runs away to his home to hide; his sister puts on his uniform, takes her brother's place in the battle, and is killed. Their mother, not wanting the shameful truth to become known, closes all the shutters (hence the film's title) and keeps her son's presence a secret for many years, though two boyhood chums stumble upon the truth...
Swords and Hearts
5.4/10
A poor girl is secretly in love with a wealthy young planter.
The Eternal Grind
7.2/10
Louise (Pickford) is a sewing-machine girl in a sweatshop in New York City. She lives together with her sisters Amy (Loretta Blake) and Jane (Dorothy West) and are all deprived by bad conditions at work and sickness. Louise tries for the three of them to survive and regards herself as the keeper of her sisters. Meanwhile, she stands up to her bosses and complains about the dreadful circumstances they work in. When Amy is seduced by the son of the shop-owner, Louise butts in and stops the romance. He eventually abandons Amy and becomes seriously injured in a cave-in. Louise has a secret crush on the son herself and tries to rescue him, hoping he will admit he loves her. The film is inspired by the Triangle Shirtwaist Factory fire, which took place in 1911. The only version of the film is a nitrate print in the Cinematheque Francaise, but only the first half remains.
Lines of White on a Sullen Sea
6.2/10
Soon after their engagement, Bill goes to sea, and Emily vows to stay true until his return. Unknown to her, Bill marries another woman from a different port. Emily waits faithfully for six years, finally becoming dangerously ill. When Bill suddenly appears in town with his family, Joe, who has loved Emily all along, forces Bill to make Emily's final moments happy by pretending he has returned to marry her.
In the Border States
6.4/10
During the Civil War, a father living in a border state leaves to join the Union Army. After he leaves, Confederate troops forage on his property, where a soldier encounters one of his daughters. The father himself is wounded on a hazardous mission and must run for his life, pursued by Confederate soldiers.
The Mountaineer's Honor
5.8/10
A mountain girl is seduced by a traveler from the valley. Her brother tracks the seducer down and kills him. In retaliation, the sheriff captures the brother and prepares to lynch him. Mother intervenes and, to save her son the disgrace of hanging, shoots him.
The Cord of Life
5.2/10
Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction.
At the Altar
5.4/10
At the Italian boarding house the male boarders were all smitten with the charms of Minnie, the landlady's pretty daughter, but she was of a poetic turn of mind and her soul soared above plebeianism and her aspirations were romantic. Most persistent among her suitors was Grigo, a coarse Sicilian, whose advances were odiously repulsive. The arrival at the boarding house from the old country of Giuseppe Cassella, the violinist, filled the void in her yearning heart. Romantic, poetic and a talented musician, Giuseppe was indeed a desirable husband for Minnie.
