The best Dorothy Lamour’s movies
Today we present the best Dorothy Lamour’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Dorothy Lamour’s movies.
Creepshow 2
6/10
EC Comics-inspired weirdness returns with three tales. In the first, a wooden statue of a Native American comes to life...to exact vengeance on the murderer of his elderly owners. In the second, four teens are stranded on a raft on a lake with a blob that is hungry. And in the third, a hit and run woman is terrorized by the hitchhiker she accidentally killed...or did she really kill him?
The Greatest Show on Earth
6.5/10
To ensure a full profitable season, circus manager Brad Braden engages The Great Sebastian, though this moves his girlfriend Holly from her hard-won center trapeze spot. Holly and Sebastian begin a dangerous one-upmanship duel in the ring, while he pursues her on the ground.
Donovan's Reef
6.7/10
'Guns' Donovan prefers carousing with his pals Doc Dedham and 'Boats' Gilhooley, until Dedham's high-society daughter Amelia shows up in their South Seas paradise.
The Love Goddesses
6.9/10
This insightful documentary features some of the major and most beautiful actresses to grace the silver screen. It shows how the movie industry changed its depiction of sex and actresses' portrayal of sex from the silent movie era to the present. Classic scenes are shown from the silent movie 'True Heart Susie,' starring Lillian Gish, to 'Love Me Tonight' (1932), blending sex and sophistication, starring Jeanette MacDonald (pre-Nelson Eddy), and to Elizabeth Taylor in 'A Place in the Sun' (1951), plus much , much more.
Road to Morocco
7/10
Two carefree castaways on a desert shore find an Arabian Nights city, where they compete for the luscious Princess Shalmar.
Pajama Party
4.9/10
A Martian teenager sent to prepare for an invasion falls in love with an Earth girl.
Slightly French
6.3/10
A film director, in bad standing with his studio, tries to turn a local carnival dancer into a "French" movie star and pass her off as his big new discovery
A Star Is Born World Premiere
7.3/10
Live television broadcast of the world premiere. Described by various participants as the biggest world premiere in memory, even bigger than the Academy Awards.
The Hurricane
7.1/10
In the colonial era, island native Terangi (Jon Hall) spends a blissful honeymoon with his bride, Marama (Dorothy Lamour). Soon after, however, their relationship is torn asunder when Terangi is sent to prison for punching a prejudiced white man. Prominent members of the community -- including the governor's wife, Mme. De Laage (Mary Astor), petition the governor for clemency, but he refuses to budge. However, all pretense of law and order are soon shattered by an incoming tropical storm.
Manhandled
6.6/10
Merle Kramer works as a stenographer for a psychiatrist. She is casually dating Karl Benson, a private eye and former cop. Merle mentions in passing that one of her boss's patients is an author with recurring dreams of murdering his wife, and she includes the fact that the wife owns valuable jewels. When the wife is found murdered in a manner identical to that of her husband's dream, the husband is naturally the prime suspect. But as the investigation of the police and insurance investigator Joe Cooper proceeds, it turns out that several people in the case, including Merle, are not what they seem.
The Phynx
4.4/10
A rock band becomes embroiled in foreign affairs when they're sent to go on tour in Albania as a cover to find hostages in a remote castle held by communist enemies of the USA.
Won Ton Ton: The Dog Who Saved Hollywood
4.8/10
A would-be filmmaker and actress shake up the industry with a trick dog who gets discovered by a studio bus driver in the 1920s.
Johnny Apollo
6.9/10
Wall Street broker Robert Cain, Sr., is jailed for embezzling. His college graduate son Bob then turns to crime to raise money for his father's release. As assistant to mobster Mickey Dwyer, then falls for Dwyer's girl Lucky. He winds up in the same prison as his father.
Road to Bali
6.4/10
Having to leave Melbourne in a hurry to avoid various marriage proposals, two song-and-dance men sign on for work as divers. This takes them to an idyllic island on the way to Bali where they vie with each other for the favours of Princess Lala. The hazardous dive produces a chest of priceless jewels which arouses the less romantic interest of some shady locals.
My Favorite Brunette
6.7/10
Baby photographer Ronnie Jackson, on death row in San Quentin, tells reporters how he got there: taking care of his private-eye neighbor's office, Ronnie is asked by the irresistible Baroness Montay to find the missing Baron. There follow confusing but sinister doings in a gloomy mansion and a private sanatorium, with every plot twist a parody of thriller cliches.
Road to Utopia
7.1/10
While on a ship to Skagway, Alaska, Duke and Chester find a map to a secret gold mine, which had been 'stolen' by thugs. In Alaska to recover her father's map, Sal Van Hoyden falls in with Ace Larson, who secretly wants to steal the gold mine for himself. Duke, Chester, the thugs, Ace and his henchman chase each other all over the countryside—for the map.
Road to Rio
6.9/10
Scat Sweeney, and Hot Lips Barton, two out of work musicians, stow away on board a Rio bound ship, after accidentally setting fire to the big top of a circus. They then get mixed up with a potential suicide Lucia, who first thanks them, then unexpectedly turns them over to the ship's captain. When they find out that she has been hypnotized, to go through a marriage of convenience, when the ship reaches Rio, the boys turn up at the ceremony, in order to stop the wedding, and to help catch the crooks.
Show-Business at War
7/10
A multi-studio effort to show the newsreel audience the progress of the Hollywood war effort.
Variety Girl
6.3/10
Dozens of star and character-actor cameos and a message about the Variety Club (a show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.
The Road to Hong Kong
6.1/10
Bob Hope and Bing Crosby return as con men Chester Babcock and Harry Turner, in the last of their road movies. When Chester accidentally memorizes and destroys the only copy of a secret Russian formula for a new and improved rocket fuel, they are thrust into international intrigue, trying to stay alive while keeping the formula out of enemy hands.
