The best Doris Schade’s movies
If you love cinema, you will share this ranking of the best Doris Schade’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Doris Schade.
Wild Chicks in Love
5.8/10
Five teenage girls navigate the twists and turns of their complicated emotional lives, and learn the secrets of the heart through their friendship.
The Wild Chicks and Life
5.4/10
The main protagonists are four – later five – girls: Sprotte (Charlotte), who is the spunky yet friendly main narrator, her best friend Frieda, a level-headed girl who is a member of Terre des hommes, shy and bespectacled Trude, who is unsure because of her obesity, and her best friend, the beautiful, shallow and vain, yet amicable Melanie. Later, they are joined by Wilma, a tough boys-hating tomboy, who is later revealed as a lesbian.
Veronika Voss
7.6/10
In Munich 1955, German film star Veronika Voss becomes a drug addict at the mercy of corrupt Dr. Marianne Katz, who keeps her supplied with morphine. After meeting sports writer Robert Krohn, Veronika begins to dream of a return to stardom. As the couple's relationship escalates in intensity, Veronika begins seriously planning her return to the screen -- only to realize how debilitated she has become through her drug habit.
The Wild Chicks
5.9/10
Sprotte is about 12 years old and has a "gang" with her three friends Frieda, Melanie and Trude. Together the girls take Care of Sprottes grandmothers chickens. The new girl in School, Wilma, wishes to join the group, which Melanie is very unhappy about, and on top of all of that they have an on going revalisasion with a group of boys. Sprottes grandmother is planning on slaughtering the chickens! Will the Wild Chicks put Down their war with the boys? And Will they be able to save the chicken?
Rosenstrasse
6.7/10
When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?
Beyond Silence
7.4/10
Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.
Rosa Luxemburg
6.9/10
Polish socialist and Marxist Rosa Luxemburg works tirelessly in the service of revolution in early 20th century Poland and Germany. While Luxemburg campaigns for her beliefs, she is repeatedly imprisoned as she forms the Spartacist League offering a new vision for Germany.
Marianne and Juliane
7.3/10
Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's committed as a reporter, her sister joins a terroristic organization. After she's caught by the police and put into isolation jail, Juliane remains as her last connection to the rest of the world. Although she doesn't accept her sister's arguments and her boyfriend Wolfgang doesn't want her to, Juliane keeps on helping her sister. She begins to question the way her sister is treated.
Sheer Madness
6.6/10
Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.
After the Truth
7.3/10
The famous Nazi-Doctor Dr. Josef Mengele - the "death angel of Auschwitz", who killed more than 300.000 people - comes back from his hide out in Argentina to Germany as a 87 year old man. He must stand up in front of a court for his crimes. The young solicitor Peter Rohm has to defend him. But Peter Rohm - himself an expert on Josef Mengele and his crimes - feels unable to do this. When he decides to take on the case he endangers not only the relationship to his wife but also their lifes. A fictional story around the non-fictional person of Josef Mengele who died in 1979.
Altweibersommer
4.2/10
Women in New York
6.9/10
The main characters in this film are wives of rich men who have nothing to do because they have staff – like the cook, the maid, the hairdresser, the manicurist, the governess, the teacher, the tailor etc. – who work for them. Naturally, the wives themselves do not pursue careers, they depend on their husbands’ money. This is why most of their thoughts revolve around the husband. And because the husband only appears as “the” man, there is no man in this film. All women fight for the same man. Those who have one, want to keep him no matter what. And those who do not have one yet only have one goal: To take away somebody else’s husband.
Charlotte Link: Das Haus der Schwestern
4.1/10
Sag’s dem Weihnachtsmann
7.5/10
Die schönsten Jahre
6.2/10
The relationship between journalist Nina and her mother Eva has always been tense. One day Nina is supposed to be interviewing Richard Gere in Budapest. Her friend Flora and her mother Eva accompany her there. Flora succeeds in defusing the tensions between mother and daughter. Then Eva is suddenly admitted to the hospital. Nina's visit to her mother's sickbed is moving for both women.
