The best Dora Bryan’s movies
Today we present the best Dora Bryan’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Dora Bryan’s movies.
MirrorMask
6.7/10
In a fantasy world of opposing kingdoms, a 15-year old girl must find the fabled MirrorMask in order to save the kingdom and get home
No Highway
7.1/10
James Stewart plays aeronautical engineer Theodore Honey, the quintessential absent-minded professor: eccentric, forgetful, but brilliant. His studies show that the aircraft being manufactured by his employer has a subtle but deadly design flaw that manifests itself only after the aircraft has flown a certain number of hours. En route to a crash site to prove his theory, Honey discovers that he is aboard a plane rapidly approaching his predicted deadline.
The Fallen Idol
7.6/10
Phillipe, the son of an ambassador in London, idolizes Baines, his father's butler, a kind of hero in the eyes of the child, whose perception changes when he accidentally discovers the secret that Baines keeps and witnesses the consequences that adults' lies can cause.
Odd Man Out
7.6/10
Belfast police conduct a door-to-door manhunt for an IRA gunman wounded in a daring robbery.
Gift Horse
6.3/10
Compton Bennett's war drama The Gift Horse follows the fortunes of ageing destroyer The Ballantrae and her crew from the time they come together in 1940 until the climactic raid on occupied St Nazaire in 1942. Trevor Howard plays Lt Cmdr Hugh Alginon Fraser, the newly appointed captain, back in service after having left the navy following a court martial.
Street Corner
6.7/10
London policewomen handle rescues and larceny as they go about their work in Chelsea.
Apartment Zero
6.8/10
The owner of a failing cinema and his mysterious boarder are caught up in the political intrigue of Argentina.
A Taste of Honey
7.4/10
A working class girl struggles to create a life for herself with her gay co-worker after becoming pregnant from a one-night stand with a black sailor.
Carry On Sergeant
6.3/10
Fall in for the first ever film in the highly successful Carry On comedy series—now an acclaimed British institution. Kenneth Connor and Charles Hawtrey are the prankish misfits who become the hilarious bane of Army Officers existence when he makes a bet he will turn them into ‘Star Squad’ Award soldiers—or bust!
Lady Godiva Rides Again
5.8/10
Marjory Clark wins a competition in her Midland town and finds herself in a Festival of Britain procession as Lady Godiva - though not in the buff. This leads by way of a suspect beauty competition to the show-business world of London. But it could be a slippery slope for simple home-town Marge.
The Intruder
6.7/10
When Ex Colonel Merton discovers a burglar ransacking his home, he is shocked to find out that the thief is a former soldier from his tank regiment. When the thief escapes, Merton tries to contact former members of the regiment, in order to find out what set the thief on the road to crime.
The Green Man
7.1/10
Unknown to everyone but his shady Middle Eastern bosses, watchmaker Hawkins is actually a professional hired assassin with a predilection for killing his targets with bombs. After disposing of a dictator and millionaire, Hawkins is assigned to kill a politician who is heading to a remote hotel, The Green Man, for a secret tryst with his secretary. There, however, Hawkins' plot is discovered by vacuum salesman William Blake, who determines to stop him.
Desert Mice
5.3/10
A World War II farce that follows the antics of an ENSA (Entertainment National Service Association) group. Fresh from the music halls, they bumble their way from army camp to camp.
The Blue Lamp
6.8/10
P.C. George Dixon is a long-serving traditional copper who is due to retire shortly. He takes a new recruit under his aegis and introduces him to the easy-going night beat. Dixon is a classic ordinary hero but also anachronistic, unprepared and unable to answer the violence of the 1950s.
Hands of the Ripper
6.2/10
A series of murders occur that mirror those committed by the Whitechapel Ripper. Through his experiments with psychoanalysis Dr Pritchard discovers a deadly violence in one of his young female patients. As he delves into the recesses of her mind he uncovers that Anna is possessed by her dead father's spirit, willing her to commit acts of gruesome savagery over which she has no control. But the most chilling revelation of all is the identity of her father: Jack the Ripper himself.
The Ringer
6.4/10
An underhand solicitor receives threatening notes, and the police are called in to protect him.
Circle of Danger
6.5/10
An American travels to Europe to find out the details about his brother's death. As he digs deeper the incident become more mysterious.
Screamtime
4.9/10
Compilation of three short horror films: "That's The Way To Do It", "Dreamhouse" and "Do You Believe In Fairies?" plus some new linking material.
Absolutely Fabulous: The Last Shout
Eddy and Patsy prepare to go on a skiing holiday to hopefully indulge in the jet-setting lifestyle of the international celebrity elite when Saffy is proposed to by her stuffy, upper-class boyfriend, Paolo. Eddy hits the slopes and has a near death experience where God appears to her and tells her it's not yet her time. When Eddy comes to, she waits for a sign that she should get involved in Saffy's wedding. As she returns to the house, it appears all hell has broken loose- relatives piling up, practically squatting, and Saffy about to lose her mind. Eddy calms her by throwing money at her as they bond together, planning Saffy's dream wedding. What could go wrong?
The Fake
6.1/10
Someone is stealing priceless paintings from the great museums of the world and replacing them with nearly flawless forgeries. Leonardo da Vinci's "Madonna and Child" is being shipped to London's Tate Gallery for a special exhibition, and Paul Mitchell is assigned to protect it. Upon the painting's arrival, Paul realizes it has been switched. Eager to collect the museum's $50,000 reward, he teams up with Mary Mason, a Tate employee, to recover the original.
