The best Dixie Dunbar’s movies

Classical violinist, Roger Grant disappoints his family and teacher when he organizes a jazz band, but he and the band become successful. Roger falls in love with the band's singer, Stella, but his reluctance to lose her leads him to thwart her efforts to become a solo star. When the World War separates them in 1917, Stella marries Roger's best friend and, when Roger returns home after the war, an important concert at Carnegie Hall brings the corners of the romantic triangle together.

The "Caliban-Ariel" romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a "romance" between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers--and who are awarded a final curtain call after the "The End" title, just so the audience won't forget them (The same device was used to introduce British actor George Sanders in Fox's Lancer Spy [37]).

Bessie and Winston "Slug" Winters are married coaches whose mission is to whip their college football team into shape. Just in time, they discover a hillbilly farmhand and his sister. But the hillbilly farmhand's ability to throw melons enables him to become their star passing ace.

Rebecca's Uncle Harry leaves her with Aunt Miranda who forbids her to associate with show people. But neighbor Anthony Kent is a talent scout who secretly set it up for her to broadcast.

American theatrical manager (Menjou) discovers Henie preparing for the Olympics in Switzerland and brings her to Madison Square Garden.

Five closely knit showgirls sign a pact to reunite one year after the closing of their Broadway production, but the lives of all five take many different turns, often for the worse.

Opening with a credit line that reads "Entire production conceived, created and directed by George White," a film evolves where the only plot line is a thin backstage romance between Jimmy Martin and Kitty Donnelly in and around a dozen or more sketches, revues, black-outs and singing and dancing turns. Made before the birth of the production code, reviewers of the day found much to object about in the implications of Alice Faye's "Nasty Man" song with the Meglin Kiddies, and the dog action in the "Your Dog Loves My Dog" number by Vallee, Faye, Jimmy Durante and Dixie Dunbar. The geometric dance arrangements used in the Vallee, Durante and Cliff Edwards "Every Day Is Father's Day" was not cause for Busby Berkeley to lose any sleep.

Warner Baxter plays the ambitious producer of a burlesque show who rises to the big time on Broadway. Alice Faye is the loyal burleycue singer who helps make Baxter a success. His head turned by sudden fame, Baxter falls under the spell of a society woman (Mona Barrie) who has theatrical aspirations of her own. She marries Baxter, then convinces him to produce a string of "artistic" plays rather than his extravagant musical revues. The plays are flops, and the woman haughtily divorces Baxter. Faithful Alice Faye, who'd gone to London when her ex-beau was married, returns to the penniless Baxter. She and her burlesque buddies team up to pull Baxter out of his rut and put him on top again.

A young husband becomes a game-show participant in the hopes of winning the cash to pay his pregnant wife's doctor.

Jones family romp with father trying to convince son to follow him as a druggist, rather than becoming a pilot, until the son's piloting skills come in handy.

When a couple become parents for the first time, they discover grandmothers can be almost as demanding as a newborn.

This late entry in the popular "The Jones Family" series of '30s comedies has the family contending with a troublesome (and possibly crooked) uncle while trying to cut household expenses.

The Jones family goes to a convention traveling in a trailer. The oldest daughter gets involved with a convict, the oldest son has a love affair, and the youngest son gets into photography.

Rival advertising firms compete for a radio show's pickle manufacturing account.