The best Dimple Kapadia’s drama movies
Today we present the best Dimple Kapadia’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Dimple Kapadia’s movies.
Ram Lakhan
6.7/10
Sharda vows vengeance when her husband is murdered by his two evil cousins, Bhishamber and Bhanu, and she and her two young sons are thrown out on the street. Those sons grow into the upstanding police officer Ram and the easily tempted dreamer Lakhan. If the family is to be avenged, Ram will have to lead his brother away from the path of corruption he's strayed onto, and protect him from the influence of Bhanu and Bhishamber.
Dil Chahta Hai
8.1/10
Three inseparable childhood friends are just out of college. Nothing comes between them - until they each fall in love, and their wildly different approaches to relationships creates tension.
Bobby
6.9/10
Raja is the 18-year-old son of a wealthy Bombay businessman who suffers from his parents coldness and neglect. Shortly after finishing school he meets Bobby, the 16-year-old daughter of a poor Christian fisherman. They fall head over heels for each other, but they'll need everything they have to defend their love as their families won't accept them marrying each other...
Patiala House
5.6/10
Parghat Singh 'Gattu' Kahlon is a middle aged shopkeeper who secretly practices bowling at night in order to keep his dream of playing for England alive. Even though his family members despise him for giving up his dreams only due to his father's wish, they find a ray of hope and convince him to play for England while they plan to hide the truth from his father.
Insaaf
6.6/10
When Avinash, a lecturer, punishes some of his students for misbehaving, they turn his life upside down by abducting and molesting his blind sister in order to get even with him.
Luck by Chance
7.1/10
Not wanting the same fate as befell her sisters, Sona Mishra re-locates to Mumbai to try to make a living making movies, but she soon finds that the path she has chosen is not an easy one.
Cocktail
6.3/10
A love triangle between a guy and two girls, who are best friends but the complete opposite of one another.
Finding Fanny
5.7/10
Five friends from Goa get lost during a journey to discover the lot of the childhood sweetheart of an old postman.
Kabzaa
6/10
Ranjit Verma is lawyer to criminal Veljibhai who gets involved with Ranjit's brother, Ravi. Veljibhai, with the help of Ravi, tries to steal the property of Ustad Ali.
Angrezi Medium
7.2/10
When his daughter decides to further her studies in London, a hardworking Haryanvi businessman does everything in power to make her dreams come true.
Leela
6.5/10
Leela is the story of Leela, an aware, liberal woman who struggles with the true meaning of independence. It is also the story of Krishna, born of Indian parents in America but uncomfortable with his hyphenated existence. Leela then is a universal story of two paths that cross each other and pause a moment before moving on.
Being Cyrus
7.1/10
The Sethna family resides in the hills of Panchgani. A retired sculptor Dinshaw heads the family of Dinshaw's wife Katy , brother Farokh, sister-in-law Tina and second brother Fardoonjee . When the bizarre Cyrus comes into their lives, it is soon revealed that things aren't quite right with the Sethna family
Saagar
6.9/10
Raja, a fisherman is secretly in love with Mona. When wealthy Ravi comes to live with his grandmother, Kamladevi, he sees Mona and falls in love with her. Mona also reciprocates his love. Raja is devastated by this turn of events. But when Kamladevi gets to know that Ravi is seeing Mona, she puts pressure on Mona to give up Ravi and marry someone else.
Krantiveer
7.4/10
Lack-lustred and alcoholic Pratap Narayan Tilak is given a rude awakening when he meets with journalist Megha Dixit, and decides to instill some sense of justice and fair play within his community, and get them to assertively defend their rights and freedom. He is met with strong resistance, both from within his very own community, the police, and some very powerful and influential politicians. Unable to bear the injustice, and frustrated at his community to act proactively, Pratap decides to take the law into his own hands, resulting in chaos, violence, and uncertainty for everyone, and a path to his own grave.
A Twist in Love
5.5/10
With their respective children's' marriages about to take place, two middle-aged single parents fall in love.
Phir Kabhi
7.4/10
Phir Kabhi tells the story of two high school sweethearts who rekindle their romance at a school reunion decades later at their old age.
Arjun
7.2/10
Mr. Malwankar lives a small tenement in Grant Road, Bombay, with his son, Arjun, daughter, Sudha, and wife, Rukmini, who is his second wife, as his first wife passed away. Although he is well past his retirement age, he continues to work for an abusive employer, Ashok. Arjun's attempts at seeking employment are all in vain. One day when hoodlums are beating up a man, he intervenes, beats the hoodlums up with the help of half of his friends. This is when his life changes forever. One of his friends', Mohan, is killed; Arjun finds out who the killers are, and kills them in broad daylight; he is arrested, and subsequently released, only to be told by his father that he is no longer welcome. A politician, Shiv Kumar Chougule, takes a liking to Arjun and employs him, and gives him all the support and assistance he needs to fight hoodlums. Arjun now finds he has a mission in life, and is quite content
Tum Milo Toh Sahi
5.7/10
Tum Milo Toh Sahi is not just a romantic comedy... it is three unique romantic stories in one.
Batwara
6.3/10
Amidst the fall of princely states in post-independence India, the friendship between Vikram, who comes from an aristocratic family, and a peasant is tested. Vikram turns vengeful after his brother is killed in a peasant colony.
Rudaali
7.4/10
Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.
