The best Didier Flamand’s tv movie movies
If you love cinema, you will share this ranking of the best Didier Flamand’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Didier Flamand.
Julie, chevalier de Maupin
5.7/10
Agnès Dormes, a famous opera singer, saves Julie, a baby girl who was about to be sacrificed during a black mass. Twenty years later, the baby has turned into a beautiful energetic twenty-year-old young lady determined to find out about her origins. In Avignon, Julie manages to meet Agnès and discovers on the occasion she is not her real mother. A series of adventures will ensue and at a time Julie is nearly burned on the stake. But she eventually achieves her end and can marry, a street performer close to her heart.
À la maison pour Noël
5.8/10
Un homme parfait
6.4/10
Love in Vienna
5.6/10
Love blossoms when Melody is assigned to track down a reclusive pianist and covince him to play a classical Christmas concert in Vienna.
Les brumes du souvenir
6.6/10
Changer la vie !
6.9/10
A documentary drama retelling the shift of Mitterand's policy. In May 1981, F.Mitterrand is elected President of the Republic, after more than twenty years in the opposition. He wants to change the life; he believes in the supremacy of politics over economics. He wants it to be fast and executes his programme to realise the socialist transformation. Two years later, Pierre Mauroy and Jacques Delors introduce an unprecedented austerity plan and open the parenthesis of austerity... that would never be closed.
Une Maman pour un cœur
7.2/10
La guerre des ondes
His Name Was Vian
6.5/10
In a cinema, the day of the premiere of J'irai cracher sur vos tombes (adapted from his novel), Boris Vian has a heart attack. During his discomfort, he relives the major stages of his life: the meeting with Raymond Queneau, the nights of Saint-Germain-des-Prés, the scandal of J'irai cracher sur vos tombes, his love stories with Michelle Léglise then Ursula Kubler or his relationship with Jean-Paul Sartre. Through his memories, Boris Vian relives all his “parallel lives”.
Le deuxième couteau
