The best Diahann Carroll’s documentary movies

Diahann Carroll

Diahann Carroll

17/07/1935- 04/10/2019
If you love cinema, you will share this ranking of the best Diahann Carroll’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Diahann Carroll.

And the Oscar Goes To...

And the Oscar Goes To...
7.1/10
The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.

Night of 100 Stars

Night of 100 Stars
7.1/10
The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers payed up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.

Light Girls

Light Girls
7.5/10
From the creator and director of the critically acclaimed documentary Dark Girls, award-winning filmmaker Bill Duke continues the conversation on colorism with Light Girls. Sharing the untold stories and experiences of lighter-skinned women, Light Girls dives deep into the discussion of skin color, preference, privilege, pain and prejudice. The documentary features interviews with Russell Simmons, Soledad O'Brien, Diahann Carroll, India Arie, Iyanla Vanzant, Michaela Angela Davis, Kym Whitley, Salli Richardson-Whitfield and more.

TV in Black: The First Fifty Years

TV in Black: The First Fifty Years
Discover how television has reflected the African American experience in this retrospective of the medium's first half-century. Actors, writers and historians discuss the image of black America on television from Amos and Andy to the present day. The interviews accompany clips from groundbreaking shows and performances by entertainment pioneers that create a timeline of the portrayal of African Americans throughout TV history.

Color Adjustment

Color Adjustment
7.4/10
  • Genre: Documentary
  • Release: 29/01/1992
  • Character: Self
From Amos 'n' Andy to Nat King Cole, from Roots to The Cosby Show, black people have played many roles on primetime television. Brilliantly weaving clips from classic TV shows with commentary from TV producers, black actors and scholars, Marlon Riggs blends humor, insight, and thoughtful analysis to explore the evolution of black/white relations as reflected by America's favorite addiction.

Sing Your Song

Sing Your Song
7.5/10
  • Genre: Documentary
  • Release: 13/01/2012
  • Character: Herself
Most people know the lasting legacy of Harry Belafonte, the entertainer. This film unearths his significant contribution to and his leadership in the civil rights movement in America and to social justice globally.

How It Feels to Be Free

How It Feels to Be Free
  • Genre: Documentary
  • Release: 18/01/2021
  • Character: Self (archival footage)
Tells the inspiring story of how six iconic African American female entertainers – Lena Horne, Abbey Lincoln, Nina Simone, Diahann Carroll, Cicely Tyson and Pam Grier – challenged an entertainment industry deeply complicit in perpetuating racist stereotypes, and transformed themselves and their audiences in the process.

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