The best Denis Conway’s drama movies
Today we present the best Denis Conway’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Denis Conway’s movies.
Brooklyn
7.5/10
In 1950s Ireland and New York, young Eilis Lacey has to choose between two men and two countries.
Alexander
5.6/10
Alexander, the King of Macedonia, leads his legions against the giant Persian Empire. After defeating the Persians, he leads his army across the then known world, venturing farther than any westerner had ever gone, all the way to India.
Michael Collins
7.1/10
Michael Collins plays a crucial role in the establishment of the Irish Free State in the 1920s, but becomes vilified by those hoping to create a completely independent Irish republic.
Intermission
6.8/10
A raucous story of the interweaving lives and loves of small-town delinquents, shady cops, pretty good girls and very bad boys. With Irish guts and grit, lives collide, preconceptions shatter and romance is tested to the extreme. An ill-timed and poorly executed couple's break-up sets off a chain of events affecting everyone in town.
The Wind That Shakes the Barley
7.5/10
In 1920s Ireland young doctor Damien O'Donovan prepares to depart for a new job in a London hospital. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed. Damien joins his brother Teddy in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.
The Return
6.5/10
A former alcoholic returns home after ten years in prison for the murder of her husband. As her recollection of the murder returns, things take a different turn.
End of Sentence
6.6/10
Newly widowed Frank Fogle embarks on a journey to Ireland to scatter his late wife’s ashes. His estranged son, Sean, recently released from prison, agrees to join only when his father promises that they’ll never see each other again following the trip. After revelations surface about an old flame of Frank’s wife and a charming hitchhiker with plans of her own intervenes, father and son find themselves drawn together in unexpected ways.
Sweetness in the Belly
5.6/10
Orphaned in Africa as a child, Lilly escapes to England as a refugee, fleeing civil war in Ethiopia. Lost in this cold new world, Lilly embraces the immigrant community in London, attempting to reunite people with their scattered families. But as her friend Amina discovers, Lilly's mission isn't purely selfless: a passionate lost love affair is revealed.
Garage
7.1/10
A tragicomedy set in the world of gas stations in rural Ireland, where over-diligent employee of the garage searches for intimacy during the course of a life-changing summer.
Yesterday's Children
6.9/10
Jenny Cole lives with her husband and son in middle America. She is pregnant and starts to have very vivid dreams about a small city that has a big church. She then starts talking to her mother about it and her mother shows her some drawings she made when she was a child. To her amazement they are identical to the drawings from her dreams that she is now having. Jenny and her mother do research and find that the dreams are about a small town in Ireland in the 1930s. The mother gives Jenny, her son and her husband tickets to go to Ireland, so that she can find out about her dreams. Had Jenny lived in the past after all as Mary Sutton?
The Tiger's Tail
5.8/10
After a chance encounter, a Dubliner (Gleeson) is stalked by a murderous facsimile of himself.
Showbands
7.2/10
It's Ireland in the 1960s and showbands and ballrooms are big business. However, Tony is struggling to repay his bank loan and is in danger of losing his ballroom. In order to save it, he sets out to turn unknown female performer Denise into a superstar practically overnight.
The Truth Commissioner
5.7/10
Set in a post-Troubles Northern Ireland, The Truth Commissioner follows the fictional story of Henry Stanfield, played by Roger Allam, a career diplomat who has just been appointed as Truth Commissioner to Northern Ireland. Eager to make good as a peacemaker, the Prime Minister urges a commission following the South African model of Truth and Reconciliation. But, though Stanfield starts bravely, he quickly uncovers some bloody and inconvenient truths about those now running the country; truths which none of those in power are prepared to have revealed.
Kathleen
