The best Delphine Seyrig’s movies on Apple iTunes

Delphine Seyrig

Delphine Seyrig

10/04/1932- 15/10/1990
If you love cinema, you will share this ranking of the best Delphine Seyrig’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Delphine Seyrig.

The Day of the Jackal

The Day of the Jackal
7.8/10
  • Genre: ActionThriller
  • Release: 15/05/1973
  • Character: Colette de Montpellier
An international assassin known as ‘The Jackal’ is employed by disgruntled French generals to kill President Charles de Gaulle, with a dedicated gendarme on the assassin’s trail.

Daughters of Darkness

Daughters of Darkness
6.5/10
  • Genre: HorrorThriller
  • Release: 28/05/1971
  • Character: Countess Bathory
A newlywed couple are passing through a vacation resort. Their paths cross with a mysterious, strikingly beautiful countess and her aide.

Jeanne Dielman, 23, Quai du Commerce 1080 Bruxelles

Jeanne Dielman, 23, Quai du Commerce 1080 Bruxelles
7.5/10
  • Genre: Drama
  • Release: 14/05/1975
  • Character: Jeanne Dielman
A lonely widowed housewife does her daily chores, takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. Slowly, her ritualized daily routines begin to fall apart.

Last Year at Marienbad

Last Year at Marienbad
7.6/10
  • Genre: DramaRomance
  • Release: 25/05/1961
  • Character: A - the brunette woman
In a strange and isolated chateau, a man becomes acquainted with a woman and insists that they have met before.

Muriel, or the Time of Return

Muriel, or the Time of Return
7/10
  • Genre: Drama
  • Release: 01/10/1963
  • Character: Hélène Aughain
A chamber drama about a widow and her son who live in an antique shop in Boulogne. The widow invites a man whom she loved twenty-two years earlier to visit. Her son is haunted by Muriel, a young woman whose death he may have caused while serving as a soldier in Algeria. As in Resnais' earlier films, memory is deflected, fragmented, enshrined, and imagined.

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