The best Debbie Harry’s drama movies
Today we present the best Debbie Harry’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Debbie Harry’s movies.
Cop Land
7/10
Freddy Heflin is the sheriff of a place everyone calls “Cop Land” — a small and seemingly peaceful town populated by the big city police officers he’s long admired. Yet something ugly is taking place behind the town’s peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action and make a dangerous choice between protecting his idols and upholding the law.
Hairspray
7/10
'Pleasantly Plump' teenager Tracy Turnblad achieves her dream of becoming a regular on the Corny Collins Dance Show. Now a teen hero, she starts using her fame to speak out for the causes she believes in, most of all integration. In doing so, she earns the wrath of the show's former star, Amber Von Tussle, as well as Amber's manipulative, pro-segregation parents. The rivalry comes to a head as Amber and Tracy vie for the title of Miss Auto Show 1963.
My Life Without Me
7.4/10
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
Spun
6.7/10
Over the course of three days Ross, a college dropout addicted to crystal-meth, encounters a variety of oddball folks - including a stripper named Nikki and her boyfriend, the local meth producer, The Cook - but all he really wants to do is hook up with his old girlfriend, Amy.
Deuces Wild
5.6/10
1950s New York City. A bad and bloody gang war is about to erupt on the dysfunctional streets of Brooklyn. The Deuces at war with the vicious Vipers. Scott Kalvert directs this tale of lust, drugs, mayhem and madness during one hot summer on the streets of New York.
Elegy
6.7/10
Cultural critic David Kepesh finds his life -- which he indicates is a state of "emancipated manhood" -- thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
Deadly Hero
5.7/10
Officer Lacy is an 18-year veteran of the New York Police Department who finds himself demoted from detective back to patrol duty for his violent tendencies and trigger-happy behavior.
Try Seventeen
6/10
Teenager Jones has opted not to go to college and is instead renting a room in a boarding house to work on his writing skills. Soon, Jones finds himself dividing his time between two women: a young actress named Lisa and a photographer named Jane. After Jane's ex-boyfriend arrives to help her recover from a car accident, Jones begins to understand just how much he cares for her.
New York Stories
6.4/10
Three stories happening in New York. The first, by Scorsese, is about a painter who creates his works helped by high volume music and an attractive assistant; second, by Coppola, is about a rich and bold 12 years old who helps her separated parents to reconciliate; third, by Allen, is a witty piece of comedy about the impossibility of getting rid of the son's role.
Heavy
6.7/10
Victor is a cook who works in a greasy bar/restaurant owned by his mother, Dolly. It's just the two of them, a waitress named Delores, and a heavy drinking regular, Leo. But things change when Callie, a beautiful college drop-out, shows up as a new waitress and steals Victor's heart. But Victor is too shy to do anything about it, and too self-consciously overweight to dream of winning Callie away.
The Fluffer
5.6/10
Self-effacing, boyish Sean moves to LA to pursue a career in movies but finds it tougher than he imagined. He stumbles onto porn star Johnny Rebel - a handsome, muscled dream of men and women alike - who awakens Sean's deep obsession.
Union City
5.9/10
A 1950s accountant (Dennis Lipscomb) with a restless wife (Deborah Harry) grows paranoid after hiding a milk thief's corpse next door.
Downtown '81
6.9/10
The film is a day in the life of a young artist, Jean-Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into.
The Tulse Luper Suitcases, Part 1: The Moab Story
6.7/10
The Tulse Luper Suitcases reconstructs the life of Tulse Luper, a professional writer and project-maker, caught up in a life of prisons. He was born in 1911 in Newport, South Wales and presumably last heard of in 1989. His life is reconstructed from the evidence of 92 suitcases found around the world - 92 being the atomic number of the element Uranium. The project includes three feature films, a TV series, 92 DVDs, CD-ROMs, and books.
The Foreigner
5/10
A French special op suffers an existential crisis as he wanders New York City in search of a mission and the requisite connections.
A Life in Suitcases
6.1/10
Follows Tulse Luper as he is swept into the ill-fortuned tides of the 20th century and forced to spend his life in a succession of imprisonments.
Full Grown Men
4.9/10
A man stuck in the reveries of his youth tracks down the boyhood friend he once tormented, only to find that simpler times were more complicated than he thought.
Dead Beat
5.2/10
The girlfriend of a womanizer threatens to reveal his secret of killing a local girl.
The Tulse Luper Suitcases: Antwerp
6.2/10
"Antwerp" continues telling the picaresque adventures through the world of multi disciplinary artist and professional prisoner Tulse Luper. This movie premiered at the Venice Film Festival as a separate title located between the first and the second part of the Greenanway Tulse Luper Trilogy.
Unmade Beds
4.9/10
This is the story of Rico, a man who lives in New York in 1976 but who lives his own life in Paris during the time of the 'New Wave'. He is a photographer who thinks he's a gangster, a loner, and an outsider. He uses his camera like a gun, loading it with bullets of film. He's constantly on the look for a reality to fulfill his fantasy, and as long as he has that energy, he lives. Of course, he's also a romantic, and this is his downfall, because he believes all photographers to be liars. When Rico falls in love, the delicate balance of the world he has made for himself is disrupted.
