The best David Kelly’s drama movies

Disgraced ex-England football captain, Danny 'Mean Machine' Meehan, is thrown in jail for assaulting two police officers. He keeps his head down and has the opportunity to forget everything and change the lives of the prisoners. When these prisoners have the chance to put one over the evil guards during a prison football match, Danny takes the lead.

Quasimodo, the hunchback bellringer of Notre Dame's cathedral, meets a beautiful gypsy dancer, Esmeralda, and falls in love with her. So does Quasimodo's guardian, the archdeacon of the cathedral, and a poor street poet. But Esmeralda's in love with a handsome soldier. When a mob mistakes her for a witch, it's up to Quasimodo to rescue her and claim sanctuary for her in the cathedral.

Clive Owen stars as a prison inmate who goes into an experimental "open" prison where the inmates walk around freely and get job training for their impending releases. While there, he discovers he has a talent for growing flowers. His talent is recognized by a gardening guru who encourages him and four other inmates to enter a national gardening competition

Catholic-Irish farm girl Kate, along with her gregarious best friend Baba, moves to Dublin to pursue a more exciting life.

Accused of a crime they didn't commit, two city kids and a magical horse are about to become the coolest outlaws ever to ride Into The West.

Dublin; June 16, 1904. Stephen Dedalus, who fancies himself as a poet, embarks on a day of wandering about the city during which he finds friendship and a father figure in Leopold Bloom, a middle-aged Jew. Meanwhile, Bloom's day, illuminated by a funeral and an evening of drinking and revelry that stirs paternal feelings toward Stephen, ends with a rapprochement with Molly, his earthy wife.

With his mauve taxi, the old philosopher Dr. Seamus Scully runs around the small green roads of the south of Ireland, becoming confident of his patients, while trying to help them find their way.

An Irish lad (Matt Keeslar) who fled from his oppressive, widowed father (Albert Finney) falls for a girl (Victoria Smurfit) from an affluent family.

Alfie Byrne is a middle-aged bus conductor in Dublin in 1963. He would appear to live a life of quiet desperation: he's gay, but firmly closeted, and his sister is always trying to find him "the right girl". His passion is Oscar Wilde, his hobby is putting on amateur theatre productions in the local church hall. We follow him as he struggles with temptation, friendship, disapproval, and the conservative yet oddly lyrical world of Ireland in the early 1960s.

Thomas Crimmins is a new warder, or guard, in an Irish prison. He is young, naive, and idealistic, determined to serve his country by his part in meting out justice to criminals. His superior, Regan, however, realizes that even prisoners are human beings, and Regan is sick of the eye-for-an-eye attitude that leads the state to execute condemned men, or "quare fellows." Crimmins begins to see that not all is black and white in his new world, and when he becomes involved with Kathleen, the wife of one of the condemned men, his attitude begins to change. When new evidence arises to suggest that Kathleen's husband may not deserve his fate, Crimmins is torn between his duty and his humanity.

In Dublin, a working class family has been unsuccessful in convincing their son to get a real job: the son prefers his job of scooping up horse's dung and selling it for flower gardens. An American exchange student almost runs him over and gets to know him. The dung man has ignored warnings from his family and suddenly the horses have been banned from Dublin. His new love is leaving for America and he must find a way to cope with the new reality.